Feeoree
Wednesday 4th September 2024 10:28pm
Basildon
901 posts
Quote: Lazzard @ 28th August 2024, 11:27 AM
If it's like any other competition - or real world writing come to that - the first 'cull' would have been done by relatively inexperienced people.
As the entries get winnowed and travel further up the chain, the level of seniority will increase (a bit).
The final desicion will have been taken by someone relatively senior.
Yeah, not sure about in 2024, but a few years back it was just script readers in general then it escalates?
So if reader 1 likes it, a few more readers (I guess these are all the 'lowest rung' here) then an editor then a producer.
For ages it's just about developing voices rather than commissioning though - Red Planet Prize is the same. That said as a production company Red Planet may take something then run with it if a channel is interested - I don't know if it was the script he entered, but Rob Thorogood did Red Planet Prize and ended up with a multi-show franchise (Death in Paradise etc.), haha.
Years ago BBC Writer's Room had Comedy Production companies and big writers and sometimes actors as judges for the final stage. One I entered (Laughing Stock I think) had Simon Nye and Rebecca Front and a bunch of others.
Sitcom Mission and BAFTA Rocliffe at least still have writers/performers and production company folks involved!