JIM: OK, we're nearly done, your free sample will be winging its way to you soon. Can I ask whether you'd like to sign up to the premium package?
STEVE:No, just the free one for now - that is the deal, yes?
JIM: Of course sir, no obligation at all. I just need your name.
STEVE:It's Stephen.
JIM:Lovely. And your family name, please?
STEVE:King.
JIM: Stephen King?
STEVE:[POLITE CHUCKLE] Yes, quite.
JIM:I love your books. I love them.
STEVE: Yep, I've heard that one before.
JIM:Brilliant they are. I love the scary bits. I love the folksy dialogue bits about kids in the 50s. I love the really really long bits.
STEVE:Just checking, you know I'm not actually that Stephen King?
JIM:I love the rubbish endings. They're brilliant. Hey, I've got an idea for a Stephen King book!
STEVE: Right. But it might be worth saving that.
JIM:No, seriously, it's great. So, at the start, there's this writer from New England.
STEVE:I think that's how most of them go.
JIM:Yeah, he writes scary books, and he's really famous. But, he has actually got quite a common name.
STEVE:I think this is where we came in, because, you see, I'm not actually-
JIM:And there's this other guy, and he's not a famous writer in New England, but he does have the same name.
STEVE:I can certainly empathise with that character. So can we go back to the, err...
JIM:And this other guy, he gets mistaken for the famous guy.
STEVE:Is it getting ironic in here, or is it just me?
JIM:And this guy denies he's the famous guy; but apparently to no effect.
STEVE:It's true to life, I'll give you that.
JIM:But one day, this bloke speaks to the guy, and doesn't believe him when he says he's not the famous guy, and the bloke doesn't like that.
STEVE:Look, I'm not Stephen King the writer. Please stop talking about this.
JIM:And the not-famous guy denies it one more time, and the bloke gets angry. [BEAT, STEELY] Very angry.
STEVE:Erm...
JIM:[ENRAGED] And the bloke says he's fed up with the famous writer messing him about! Not appreciating his fans! He really doesn't like that!
STEVE: Seriously, I think -
JIM:[SHOUTS] Oh, he doesn't like that one bit. But, you see, because of this bloke's job, he knows the guy's address, doesn't he? And because it's been a good while since they started talking, the bloke has arranged for-
SFX:LOUD BANGING ON A FRONT DOOR
JIM: Someone to pay a little visit.
STEVE:What's that?
SFX:LOUD BANGING STARTS AGAIN, & CONTINUES FOR NEXT 14 LINES (NOT CONSTANTLY, INTERMITTENT GROUPS OF HEAVY BANGS)
JIM:[RISING MANIA] Someone who isn't that nice! Someone who specialises in creative retribution for stuck-up writer guys!
STEVE:Look, look, please.
JIM: Someone who knocks! Knocks! KNOCKS! At the door.
STEVE:No, just listen-
JIM:But he won't keep knocking long. No, soon, he'll be smashing that living room window.
STEVE:[WHIMPER]
JIM: Soon, he'll be climbing through that window, face disfigured by animal rage. He'll be climbing in swinging a big croquet mallet.
STEVE:A what??
JIM:Because that's what happens in one of the bastard writer guy's books. But on the film version, it's an axe. So he's got one of them too!!
STEVE: Oh God.
JIM:And he stalks towards the writing f**ker, and he walks up to his little desk, and he raises his weapons and he-
STEVE:[BEGGING] No, no, please, please, please.
JIM:[BRIGHT & CALM] Anyway, that's the idea I had for a book, don't know how it ends. Would you like to sign up for the premium package after all?
STEVE: Yes! Yes!
SFX:BANGING STOPS
JIM:Lovely. OK, we'll take the money within 5 working days. Goodbye, Mr King.
SFX:EMPTY LINE BUZZING