SlagA
Sunday 28th October 2007 6:38pm [Edited]
Blackwood
5,335 posts
I rarely write sketches, preferring long form. But when I'm writing a sitcom or longer, I do force myself to write even on days when nothing happens, I sit and make my fingers type, even if it's crap and gets binned because I've gone one more step in breaking the myth that creative process and inspiration relies on fickle zephyrs and fancies that suddenly drop into our heads and must be written down before they disappear forever.
The truth is that every idea you ever concieved was in your mind before you realised it was there. The hard part is to teach ourselves not to stumble upon the hidden hoard by chance but to teach ourselves the path to it, so that we can go there as and when we need too. When some of you turn professional (as you undoubtedly will) you'll need to have developed the ability to write to a strict deadline without allowing for the pressures, the stress, the demanded rewrites, and the sudden but illusionary bouts of the mythical "writers' block"
It's hard work but the groundrock of everything we will write is already in our head or in the process of being formed from new input / experience but even that is being moulded into a predetermined form by the one constant we have through our lives, and that's the brain. No one gets to that desired final state but we can train ourselves to get into the 'zone' faster and faster.
As to quality control, a writing partner is a great step. Get someone who will say "that's shit" without offending you. Someone who will add or enhance your idea in a way you never saw. Then leave the written idea a few weeks and reread. Sometimes glaring problems will suddenly become obvious, sometimes new jokes will become apparent.
Rewrites and edits are always one of the best tools in your quality process. A joke is never perfect when first concieved and will never attain that ultimate peak but a rewrite will trim, tighten, repackage the content to make it more 'effective' in its job.