gappy
Saturday 12th December 2020 4:01pm
Oxford
2,698 posts
Thanks so much for listening!
Interesting points. We decided early on that just reading the sketches wouldn't quite be enough with so many to deal with, so the edited pre- and post-sketch chat was needed. I guess, as with lots of podcasts and the like it takes a few listens to understand the characters and dynamics.
Having said that, I'm not a fan of the casting, I think there are only so many times that "X, you can play Y" is interesting, and I maintain that letting people know the number and names of the characters involved detracts a little from the experience (you wouldn't know if you were experiencing the sketch in any other format). Just a little window into the creative process (AKA constant arguments).
Interestingly, you are one of a tiny handful of people reading this that knows my name, I wonder which one everybody else thinks I am...
Quote: playfull @ 11th December 2020, 9:21 PM
Found it useful to understand the difference (or more accurately, 'realise there is a difference), between the written sketch and the spoken sketch.
Yes, definitely. I recall I once swept the board in the skit comp (and this was years ago when there'd regularly be 10-15 entrants), so I insisted said sketch went into a show, only to discover that it got nary a chuckle, on either night we did the show. It really brought home to me the way that things that seem clever and diverting on the page don't necessarily work on the stage (and vice versa, of course).