Rood Eye
Wednesday 30th January 2019 10:43am [Edited]
4,103 posts
The first time Jo Brand ever appeared before an audience, she absolutely died on her arse (as the saying goes).
She ascended the stage to cries of "F**k off, you fat cow!" and those cries continued throughout her act until, having finished her set, she walked off the stage to absolutely no applause whatever.
In the 1980s, club life was tough for women who didn't get their tits out but, for women who kept their tits to themselves and were not conventionally beautiful, it could be very tough indeed.
Amazingly, she kept going but, even when she'd been spotted by TV people and was becoming a well-known face in living rooms around the country, she was still described by a less-than-gallant newspaper columnist as a "hideous old boiler".
The truth of the matter (I suggest) is that her material was always good and her criticisms of male-dominated society were founded on such solid ground that millions of men who would get angry when criticised by whingeing, whining, bandwagon-climbing, feminist wannabe-comedians would listen to Jo Brand and agree (albeit perhaps privately) that she had a point.
As she gained acceptance, she was able to reveal more of the woman within and audiences who had previously gone no further than admiring her gradually began to like her.
Today's society gives traditionally oppressed groups (women, non-whites, the disabled, etc) a golden ticket into show business as heckling them or even suggesting they're not much good has become almost a capital offence. Nowadays, it's normal for talent-show judges to fall out of their chairs laughing uproariously at performers who, if they were white and male and able-bodied, would be taken outside and shot through the head.
It was different in the old days. Only the talented survived, and Jo Brand has not only survived: she has gone from strength to strength.