sootyj
Saturday 18th July 2015 7:24am
51,287 posts
1 At some point a bored, underpaid person who is at the bottom of the pecking order in a production compnay may disinterestedly glance at your script. Before spilling coffee or more likely whiskey on it and hurling it into the shredder so he can line his daughters rabbit cage with something later.
This is if you are very lucky.
So it has to read funny off of the page. You will not get a chance to sit there going
"but it's funny, really funny, here let me do the funny voices!"
It works off the page or it don't.
2
TBH once you send it out into the world in any format you risk it being ripped off. Forutnately chances are it's not good enough. Don't worry almost all scripts aren't good enough. Most production companies aren't sitting around sweating in fear, waiting for that one brilliant script to save them. Besides posting a script on a time dated, public accessible site popular with unemployable, sofa masturbators from around the world like this one. Is a surprisingly good way of dating and establishing your copyright.
Though if you're really worried just post a couple of scenes.
Or bury it in your backgarden for all eternity, knowing this cruel world wasn't ready for your genius.
Quote: Woozie @ 17th July 2015, 9:31 PM BST
For professional feedback:
There are professionals you can pay to assess your work but I suggest sending them to an agency, they normally have a group of people who will filter through everything sent. M
This is certainly true most established script readers have great contacts with production companies.
And may if sufficently impressed by a script forward it onto them.
They recieve hundreds of scripts and in order to maintain their rep will rarely forward any.
So I'd hire a script reader if you genuinely want and need feedback on your script.
You probably do. And then I wouldn't send them one till you've run it past a few people for free to check it has potential.
I still remember doing a comedy course where the tutor bought all us students a round of drinks at an expensive Islington pub declaring,
"Some idiot just hired me to read his script, I asked for £100 an episode and he sent me 10 episodes! £1000 and the feedback was the same on all of them, they're shite!"
So basically if you're spending £30-£1000 to get your script read because you think it may be the one to get noticed. You're better off investing it in Euromillion tickets, hoping you win and spending millions on establishing your own production company.
Thing is if it's any good as a company, it may still reject your script.