British Comedy Guide

Relatability and likeability of your characters.

In the first show I created I would say that, apart from the awful guest characters, everyone is pretty likeable. They each have a specific "screw up factor" which means they'll never be huge successes but they are not unpleasant. For the main character, I had in mind a relatable everyman such as Michael Bluth from Arrested Development or Jim from The Office US. The sympathy the audience feels for these characters is a "way in" for them to experience and relate to being surrounded by incompetents and crazies.

However, one person who read my script said that this main protag lacked a distinct character.

On James Cary's blog he talks about the importance of the central character's needs so I'm going to try to give him more specific goals - though I don't think he'll ever become an absurdly exaggerated monster like Jill from Nighty Night or South Park's Cartman.

http://sitcomgeek.blogspot.com/2011/12/central-character-needs-work.html

It's possible I'll have to exaggerate some negative qualities of the other main characters to make them more needy, more selfish, more likely to generate problems.

Now, with another idea for a show that I've recently started on I feel like I have the opposite problem. All the characters by definition have some kind of mental health problem. I've sketched out some dialogue between a feminist (persecution complex) sex pest (erotomania) and a conspiracy theorist (whatever it is those guys have) but it seems a bit... cold.

I wonder if anyone here has actively gone through the process of making characters more likeable and relatable?

Likeable and relatable are different things. If all your characters are likeable, you are unlikely to be able to generate the necessary conflict.

Even your central character, however likeable, must be flawed.

Relatable - every character should be an exaggerated version of a part of ourselves.

It is good you have created a show Lawrence. In sitcom we don't have to feel sympathy for the main characters but we always have to feel empathy.

Basil Fawlty prime example, absolutely hateable, but the spirit of every frustrated soul can relate to.

Jim Royle in The Royle Family. My wife grew to hate him as the series progressed. His cruel jibes at his son were horrible but always 'shouldn't laugh' funny.

The reason a flawed central character is important for sitcoms is a lot to do with the structure.
Unlike a drama or comedy/drama the format asks that, whilst each show should have an arc, this needs to be re-set at the beginning of the next episode.
Dell Boy never learns that his next scam will not make him a millionaire, Basil never learns that his way of dealing with the world will always cause more trouble than it's worth etc etc.
So whilst that fault can make them loveable it has to be there - and it has to be strong enough that - despite a world of evidence to the contrary - they can never correct it.

So much for my Mother Teresa sitcom.

She wasn't such a nice person.

I think most of my characters are related, me old pal, me old beauty...

I suppose also the comic flaw is something we can all relate to as I said but blown up much bigger in the sitcom.

Quote: Marc P @ 4th June 2014, 3:58 PM BST

the comic flaw

Easy to create by simply carpetting the set with copies of The Beano.

I see what you did there! :)

Yes, spelled carpeting wrong.

Quote: Marc P @ 4th June 2014, 3:58 PM BST

I suppose also the comic flaw is something we can all relate to as I said but blown up much bigger in the sitcom.

not as funny as the comic seeling.

Is it a glass one?

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