Quote: Badge @ 21st March 2014, 4:51 PM GMT
But what happens to the newer writers and performers when they have cut their teeth on short-form online content? They're going to find it hard to graduate to 30 minute sitcom because there won't be the slots.
The world is changing, we don't live in an age where everybody is bound to TV schedules (especially in the BBC Three demo) and it's silly to be beholden to the way entertainment was consumed thirty years ago. The very notion of "the slots" means less and less, and means practically nothing when it comes to an on-demand live channel. The issue is not "the slots" -- it is how much money is alloted for content. And that's a double-edged sword for those of us trying to break in, but it's certainly a harder blow to established talent who are used to a certain payscale.
Perhaps rather than thinking of short-form online content as teeth-cutting and a stepping stone, we should be thinking about how to make money from it. The BBC embracing it and paying for it is a pretty big step in that direction.
It isn't good news for rising talent however it is spun. Fewer slots means less risk taking and less opportunity for new talent.
This move actually means more risk taking. The very concept of the move is a risk, as is the move away from traditional 6 x 30 min commissioning. Rather than chucking a million quid or so at Tiger Aspect for a series with a popular stand-up or hit writing team, they might be more likely to give several lots of a few grand to YouTubers and newbies for 6 x 5 min webisodes etc. The move democratises BBC Comedy more, and that creates smaller opportunities but more of them. There will be more half-full (or half-empty, if one's bent on pessimism) glasses on the table, and now it might be possible to pick one up and drink even without an Oxbridge connection or million-selling live DVD.
Or it might not. Maybe it will just be Jack Whitehall and Lee Nelson doing the same for less money, or no more comedy feeds and the like. Regardless, stamping our feet and screaming that everything has to stay the same forever will do us no good. Especially for those of us who aren't currently famous and raking in five or six figures from the license payer anyway.