sootyj
Saturday 17th August 2013 9:16am [Edited]
51,287 posts
Not at all. I should have been kinder and more precise. The Smoking Room had a large core cast to allow for people popping in for a fag and popping out again, as well as guest actors in most episodes. The set, comprising the room and a corridor outside, was quite large and built in a studio. It required special extractors to remove the smoke between takes. It sometimes employed two cameras, and needed two costume people and two make up people, sometimes three. There was a designer, art director and set-dresser and a normal crew. Each episode was a five-day shoot, which is standard for a single camera show, though they can sometimes be six-day weeks. Studio hire isn't cheap, and of course there was catering every day. Add in the costs of post-production, and it all equates to the price of a normal, mid-range single camera show.
Come on you Reds indeed."
I hope Micheal Jacobs (probably BCGs most accomplished member) doesn't mind me quoting this inspirational quote. On the folly of trying to over guess the production process as a writer.
(this was based on someone saying The Smoking Room looked like an economic shoot)
Besides this is a radio script, so blow planets up, have an army of robots a million feet tall.
It'll all be done by some technician with empty brown paper bags and a dustbin.
On my screen writing course, I did a very ambitious horror/comedy script involving a giant kitchen filled with evil chefs.
The tutor scratched his chin and said you can do that on a PC with a basic program, if the scripts good enough who cares?
Check out Bussell, Stott, Ricketts et al for how to do that.