simon wright
Saturday 19th November 2011 12:20pm
London
477 posts
Quote: Alfred J Kipper @ November 19 2011, 10:41 AM GMT
It does dictate a bit what a writer creates tho, possibly could change a great sitcom draft into an awkward looking dull thing, if you've set out to write the new Some Mothers Do Ave Em.
Linked to this slightly, do you you allow the use of props? I know you don't want beds or coffins or wardrobes, but what about small things like bags, cups, sausages, things you can hold in your hands or even swing a bit?
The Smoking Room (which was one simple set for the entire run) was hardly an awkward looking dull thing. When we had a meeting with Channel 4 they told us that they were looking for the next Smoking Room. Why not give them what they want, rather than try to force them to want what you give them?
You can use all the sausages you want. We encourage people to use simple, significant props. The one thing that says a lot. If two guys enter holding pints of lager we know we're in a bar. Similarly if two guys enter in speedos to a sound effect of a swimming pool you immediately know where you are. Pints of lager and speedos are simple, cheap, easily-obtainable props, but they say a lot. Small props, big impact. *
Also (as has been said before) don't neglect sound f/x. You can waste precious dialogue having two characters tediously establish that we're at an airport, or you can have an announcement in the background saying 'this is the final call for flight FDZ 1803 to Frankfurt' while two women enter with carry-on luggage. Small sound effect, big impact.
* further examples from forum lurkers are very welcome. What simple prop or sound effect says the most in the least time? No prize whatever for the best entry, just a warm, smug glow.