Writers' Guild Podcast: Radio Comedy

Hello everyone! I've been asked by the Writers' Guild to make a podcast with Jane Berthoud, the head of BBC Radio Comedy, in which we'll try and cover as much ground as possible about the current state of Radio Comedy.

I'm sure we'll touch on topics such as opportunities for new writers, work for writers who are not performers, and the commissioning process, but I'd be interested to find out if you have any other questions - excluding of course 1) why haven't you used my brilliant script? and 2) why haven't you used my brilliant script which is so much better than everything else that's on at the moment? plus the usual variations on the above.

Deadline next Thursday 10 Feb. Thanks!

This doesn't seem to be appearing on the boards. try again...

What does Jane want on/from the first page of a script?

Dan

What are the 5 quickest ways to go in the slush pile?

Why won't you read my superlative script?

How to tell the diference between edgy and unacceptable?

Are sitcoms a good way to cover sensitive subjects such as disability?

Why won't you read my stupendously superlative script..my mum liked it?

What are the diferent avenues for scripts in the BBC? e,g, is it easier to write for a podcast play than a sitcom?

Why won't you read my stupendously superlative script? The dog really smiled when he chewed it up

If I write a good sitcom script can I use it as an example of my writing skills for example on sketch shows?

Would it help if I printed my script in my own blood like Saddam did with that Koran?

Does writing an episode of an existing script help to show off my talents, or should I always write my own stuff?

Is the Writer's Room genuinely any use for a new comedy writer, or is all geared towards finding new drama writers? Or are we better off hounding producers?

Do producers *like* getting scripts from new writers? Do they see it as a massive chore or a big plus to get this new stuff? And be honest.

Dan

Thanks Dan.

Like the first one. Planning to discuss writersroom in a more general way, probably not in podcast though. Thanks Joel. I'll make sure the 'writing in blood' is there.

Not really a kosher technique though.

Depends where you cut Joel.

Dan - regarding qu about producers: the newer the producer, the more open they are to submissions. People who've been there a few years already have their favourite writers and performers, and are probably kept busy developing ideas with them. Which is not to say they'll ignore you, but you'll have more luck with new ones.

Ah, cool. Cheers Dave. I shall schmooze the newer ones.

Dan

they'll thank you for the attention

When so many organisations in the country are striving to reduce their environmental impact, why is the BBC still insistent on hard copy scripts?

They generally don't ask for any copies...

I think that's just one of the details in your restraining order.

et tu Anorak?

Sorry Joel, I can't resist a set-up...