Godot Taxis
Wednesday 28th April 2010 4:57pm
5,757 posts
Quote: Badge @ April 28 2010, 1:17 AM BST
At the same time though, Godot, there are at least two creative people in an interview like this, and the placing of the anecdote about the Japanese bank at the top of the piece could just as easily tell a story about the author as it could about Gervais. I've just read it; I didn't learn anything new about Gervais but I did think it was a highly-spun interview with an agenda. I guess none of us knows whether the agenda was pre-determined or whether she had an open mind before meeting him and just thought he was an arse.
I think the importance she attaches to the pyjamas thing is plain weird.
I read a really good interview with Gervais in one of the Sundays last year, where I felt I did learn something and from that I got a similar impression to Dolly. But I think the RT job was just a bad job, for both Gervais and journo.
You have to ask why Gervais told the interviewer about a job he didn't take and why he felt the need to give precise details of the fee. Presumably the purpose of the interview was to promote his cartoon show and latest film. I doubt whether he was booked to talk about profligate salaries paid to comedians. And who do you think brought the story up?
In the course of the interview RG mentions this, the Golden Globes, name drops Groening, Ben Stiller, Christopher Guest, John Cleese and his visit to the White House. He also describes his new project (about a pog actor) as 'sort of like Curb your Enthusiasm' and jokes that the BBC can 'bid for it!'. At the same time he says he doesn't care if he had none of this, he would just film his comedy with a camcorder and put it up on YouTube. The interviewer just responds to this. It is highly reminiscent of the 'Open Paper' scene in the Office - as I outlined in my previous post.