British Comedy Guide

Lite Flyin'

I don't know if anyone else has ever done this, but I sat down a few weeks ago with a blank page and without any characters or any idea of a plot, I just starting improvising a sitcom on the spot. Below is what I came up with. I think it's okay in parts. I called it Lite Flyin'.

SCENE 1. INT. MORNING
LITE FYLIN’ TRAVEL AGENCY
JOHN TERRY SITS AT HIS DESK. HE IS DRESSED IN SHIRT AND TIE. FLYERS AND LEAFLETS ARE TIDALLY PLACED BY THE CORNER. A PC SITS ON THE DESK CENTRALLY. JOHN IS ON THE PHONE.

JOHN:

(Into Receiver) Hello. Lite Flyin’ Travel Agency, John Terry speaking. How may I help? Yes, John Terry. No, no not the footballer. Especially not that footballer. How could I possibly be Gazza? I just introduced myself as John Terry. When you said footballer, I thought you meant, hello? Hello?

JOHN HANGS UP.

STEVE (O.O.V):

Idiot caller.

THE PHONE RINGS AGAIN. JOHN ANSWERS.

JOHN:

(Into Receiver) Hello, Lite Flyin’ Travel Agency. John Terry speaking, how may I help? No, no not the footballer. What’s you’re enquiry? (PAUSE) Right I see, and have you tried calling the IT department in your company to fix your computer? Well, why don’t you try that? Instead of ringing any random company to see if they will send an IT technician over, you should probably check with your own IT department first. No, I won’t send over an IT technician. Judging by your American accent, I’d guess that would be a very long way to travel. Okay, bye.

STEVE BANKS SITS AT HIS DESK, WHICH IS ADJACENT TO JOHN’S. STEVE’S DESK IS UNTIDY. THERE IS A PLASTIC COFFEE CUP SAT ON THE PC MONITOR. HIS PHONE IS TWO DIFFERENT TYPES OF PHONE WELDED TOGETHER.

STEVE:

Another idiot caller.

JOHN:

Who calls a random company thousands of miles away for an IT technician?

STEVE:

No, I wasn’t talking about your caller. I was talking about mine. Some idiot phoned in asking for a holiday in Wales. I told him we don’t do that and hung up.

JOHN:

But, we do do holidays to Wales. Why would you say we don’t?

STEVE:

I wasn’t going to say on the phone that Wales is a shithole.

JOHN:

Wales is not a shithole. It’s got lots of beautiful scenery.

STEVE:

What about the war, the shooting and Sadamm Husein?

JOHN:

Are you thinking of Iraq?

STEVE:

Oh yeah, that’s it.

JOHN:

You can’t be turning away possible customers, Steve.

STEVE:

Why? It’s not like we get paid commission. It doesn’t affect my paycheck at the end of the week.

JOHN:

We get paid monthly, but I know what you mean. Still, if Mr Orson came in and saw you turning people away, he wouldn’t be happy.

STEVE:

Yeah, well.

STEVE’S PHONE RINGS. STEVE ANSWERS.

STEVE:

(Into Receiver) Yo. (Pause) No, no, I wouldn’t go to France. It’s awfully rude at this time of year.

STEVE HANGS UP.

STEVE:

I know. I turned away another person. Let’s hear it then.

JOHN:

No, no, the rules don’t apply when it comes to France.

JOHN AND STEVE TOGETHER:

Shithole.

CLAIRE DOWNES ENTERS, TAKES OFF HER COAT AND THROWS IT AT THE COAT HANGER, KNOCKING IT DOWN. SHE THEN SITS AT HER DESK, WHICH RIVALS STEVE FOR UNTIDINESS. HER PHONE IS THE OTHER HALVES OF STEVE’S PHONE WELDED TOGETHER. HER PC ALSO HAS A COFFEE CUP ON THE MONITOR.

CLAIRE:

Morning.

JOHN AND STEVE TOGETHER:

Morning.

JOHN:

You’re late, Claire.

CLAIRE:

Ten past nine. It’s not that bad.

JOHN:

You were supposed to be here at nine.

CLAIRE:

So, I’m ten minutes late.

JOHN:

Nine yesterday. So, you’re actually twenty-four hours and ten minutes late.

CLAIRE:

Yesterday, I was off.

JOHN:

Why were you off?

CLAIRE:
I had the painters in.

JOHN:

(Uneasy) Ooh. Right, I want nothing to do with that. Those problems are nothing to do with me. But, you know the rules. When it’s your time of the month, you’ve got to got to your room and stay there until closing.

CLAIRE:

No, I literally had the painters in. I was decorating my house.

STEVE:

You had the day off to decorate your house?

CLAIRE:

Yeah.

STEVE:

Ace.

JOHN:

(Reading a book) If you were off yesterday, how come it’s not in this?
JOHN HOLDS UP THE BOOK. IT’S ENTITLED “THE WHO’S SUPPOSED TO BE IN AND WHO’S NOT BOOK”.

CLAIRE:

I must have forgot. It’s no big deal. You take things far too seriously, John.

JOHN:

No I don’t. I take them the exact amount of serious legally allowed by law.

STEVE:

You do take things too seriously mate. Remember that time you threw a brick at a child because he couldn’t pronounce words properly? It’s called a lisp, man.

JOHN:

What? I’ve never thrown a brick at a child.

STEVE:

Ah, see. There you go again. You took that seriously, didn’t ya?

JOHN:

You were accusing me of throwing a brick at a child. What was I supposed to do? Nod along and say, “A brick a day, keeps the children at bay”?

CLAIRE:

Just lighten up.

JOHN:

Hang on. Are you two trying to suggest I’m boring or something like that?

CLAIRE:

Well, when was the last time you went out?

JOHN:

Does going to the shops for a pint of milk count?

STEVE:

Yes.

CLAIRE:

No, of course it doesn’t.

JOHN:

So, I haven’t been out much, recently. It doesn’t mean I’m boring. I mean, I bought a Bee Gees album, once.

CLAIRE:

But, you do everything, far too ‘by the book’.

JOHN:

There’s nothing wrong with doing things properly.

CLAIRE:

Yeah, but you take it a bit too far sometimes. Don’t get us wrong. We still like you.

STEVE:

I don’t.

CLAIRE:

You don’t have to worry about what Mr Orson thinks all the time.

STEVE:

Yeah, remove your lips from his ass, man.

JOHN:

I’m not a suck up. Bloody hell, I’m being accused of everything under the sun. I like things to be done correctly. I’m not a yes man.

MR ORSON (.O.O.V):

John, come in here a second. I want to put my feet up. I need you to get on all fours.

JOHN:

Right away, sir.

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I have no plans to take this any further.

I read an enjoyed this for the most part and as a start point I quite liked it.

It is rather easy to spot your influences though. As I read I was thinking Father Ted and the I T Crowd. After I finished I looked at the profile (it was after I read the piece honestly)

The set up had the I T crowd feel two guys in a work environment and then add the girl and the referred to boss.

A bit derivative but I still liked it overall. There were some nice gags and set ups.

My advice for what it’s worth (2p approx.) is keep going, not necessarily with this and try and find your own voice

B

Although not an original opening it still made me laugh and I felt compelled to read on. This had an 'IT Crowd' feel to it and read very well.

What I liked most of all was that it was a clean piece of writing without a shock factor which makes a very refreshing change. Sure, it began to drag towards the end but given the circumstances of how this script came to be, I thought it wasn't too shabby for a first draft and hope you do take it further.

Yes, I agree with Baumski. It was quite safe and it made me read on. I think you have the beginnings there my aural chum.

Everything I write seems to have a Graham Lineham feel to it. I'm trying to create a few characters that have a bit of depth to them at the moment. I'm thinking that one (or more) will work in a travel agency, so I will be able to use a lot of what I have there. Thanks for the comments. It was nice to read. I only wrote it because the sitcom I was writing before had hit a wall and I had no ideas, so I opened a blank word document and improvised.

Hi Earman

I think as a piece of improvisation it was very good and as Baumski said, it was good to read something that didn't rely on some kind of crowbarred in shock device just for the sake of it.

You could have worse problems than being Linehanesque. I liked the start and that's what kept me reading to the end. The situation is good too but perhaps in the fickle world of commissioning, they might cock an eye towards that thing Caroline Quentin was in a while ago

Pacing and feel was spot on for me though.

Quote: Blenkinsop @ May 4, 2007, 7:10 PM

The situation is good too but perhaps in the fickle world of commissioning, they might cock an eye towards that thing Caroline Quentin was in a while ago.

What show is that? How is it similar to mine? I've only ever seen her in Men Behaving Badly and one or two epsiodes of Whose line Is It Anyway?

Relax man!

The show I'm referring to is "Life Begins" on ITV 1. It's a comedy Drama, now into its 2nd or maybe 3rd run. It's a one hour per episode thing.

It's not similar as such but her day job is in a travel agency and about a quarter, or maybe less (10 mins in the hour) of each episode takes place in the agency.

I make my observation through bitter experience as once when submitting something to an Indy production company, I was told that as it had a similar subject to something that had had a bit of a cult success (something I too had never seen or heard of), then broadcasters might not be interested.

But hey! I'm not saying that this would suffer the same fate.

It's well written and appeals to me.

Yeah the start was quite good but it went off at the end.

This is how I used to write, start from blank, but I just kept finding myself running into dead ends. See some of my sitcom scripts...

http://pc.celtx.com/project/NSxQCcRLObRV - (I've just read through them, they make me cringe.)

I'm currently reworking this and starting a fresh with the characters.

I suppose it was a good way for me to get to know them though.

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