British Comedy Guide

There's More to Love than Dog Meets Bitch

I've got these two dogs - figuratively speaking - that I can't seem to do much more with at present than feature them in 5-10 minute playlets. Here's one. Any feedback/comments on it gratefully received.

SCENE:

A PUB. YOUNG DOGS (MASKS? PAINTED FACES? WHISKERS?) REX AND FIDO SIT AT A TABLE. FIDO EATS FOOD GREEDILY FROM A BOWL. THERE IS ANOTHER TABLE NEARBY.

REX: Enjoying that, are you?

FIDO LOOKS UP, FINISHES CHEWING, WIPES MOUTH

FIDO: All I'm saying is that song is definitely politically incorrect. It's exploitational. Just listen to the lyrics.

REX:Mate, it's a nursery rhyme. It's not meant to be taken literally.

FIDO:Yeah, but come on. 'How much is that doggy in the window, woof woof.' Try telling me that hasn't got sexual connotations. (PAUSE) I mean, we all know what 'woof woof' means, don't we?

REX:It's not 'woof woof'.

FIDO:How do you mean?

REX:It's not 'woof woof'. That line goes, 'How much is that doggie in the window, row row'.

FIDO:(IN DISBELIEF) Row row?

REX:That's what it says in the song.

FIDO:What's that supposed to mean – row row?

REX:That's what humans think we sound like. They think we say 'row row'. You know what they're like – can't do accents for toffee. (REX DOES AN IMPRESSION OF A HUMAN DOING AN IMPRESSION OF A DOG) Row row row row! See what I mean?

MIRRI HOVERS AT THE SIDE OF THE STAGE IN MANNER OF CAT UNSURE WHETHER TO GO IN THROUGH A DOOR OR NOT. FIDO SPOTS HER, IS TRANSFIXED BY HER AND PAYS NO ATTENTION TO WHAT REX IS SAYING.

REX:See what I mean? (PAUSE) What are you looking at?

FIDO GESTURES TOWARDS MIRRI

FIDO:Her. Oh my dog. She's gorgeous.

REX: (HORRIFIED) Are you out of your mind? She's a cat.

FIDO:I don't care. I'm in love.

MIRRI SASHAYS TO THE EMPTY TABLE, TAKES OFF HER COAT, LICKS HER PAWS AND GLANCES AT REX AND FIDO

MIRRI:Hello boys. (FLASHES SMILE) I think I'll go and order a nice bowl of cream.

MIRRI SAUNTERS TO THE SIDE OF THE STAGE & THEN GOES OFFSTAGE. FIDO WATCHES HER WITH HIS TONGUE HANGING OUT. REX PRETENDS TO BE UNIMPRESSED.

FIDO:I've got to talk to her. I've got to talk to her.

REX:You are not talking to her. She's a cat, for God's sake.

FIDO:What's wrong with cats?

REX:What's wrong with cats? Are you serious? Didn't you ever listen to anything your old dog told you when you was a pup?

FIDO:(TEARFULLY) I never knew my old dog. He left when we were still blind and crawling around in our mother's basket. (PAUSE) All I remember about him is a faint whiff of Old Shag.

REX:OK, I get the picture. Familiar story. (PAUSE) Right, I'll tell you what's wrong with cats. They're cruel, they're disloyal, they're fickle, they don't give a toss about anyone except themselves, their faces are stupid, their ears are really stupid, their tails drive me clean up the wall, and they can't even get through a doorway without dithering around for half an hour. And… (PAUSE) No.

FIDO: Yeah? What?

REX:I don't want to have to tell you this.

FIDO:You've got this far – just spit it out.

REX: They eat mint.

PAUSE

FIDO:Oh. (PAUSE) Yeah, that is a bit strange.

MIRRI RETURNS WITH A BOWL OF CREAM, SITS AT HER TABLE, LOOKS AT REX AND FIDO, HESITATES & THEN APPROACHES THEM

MIRRI:I hope you don't think this is terribly forward of me, but do you mind if I join you?

FIDO:That's, er, that's alright.

MIRRI:Thank you. (SHE SITS DOWN AT THE TABLE) You see, there's this frightful disreputable old tom who's been following me around, and I thought I'd shake him off by darting in here. I don't think he'd dare follow me in now, not with you two hunks to look out for me. Do you?

FIDO:Er, hopefully not.

MIRRI:I'm Mirri, by the way – and you are?

FIDO:I'm Fido – and this is Rex.

REX SULKS, DOESN'T MAKE EYE CONTACT

MIRRI:How charming. Such strong, quintessentially canine names!

FIDO:Um, do you come here often? (PAUSE) I'm just asking because I've not seen you in here before.

MIRRI:Heavens no, this is the first time I've ventured into such a dog's den as this. But they say variety is the mice – er, the spice – of life. (PAUSE) I suppose this is one of your regular haunts.

REX:(AFFECTING TOUGHNESS) We drop in from time to time, yeah.

MIRRI PRODUCES A PACKET OF POLOS AND TAKES ONE.

MIRRI:I'm forgetting my manners. Would you like one? (SHE OFFERS PACKET)

REX:No way.

MIRRI: (TO FIDO) But you'll have one, won't you dear? To keep up your doggish strength and those puppyish good looks of yours.

FIDO:Well, OK, I'll try one. (HE TAKES ONE & PUTS IT CAUTIOUSLY IN HIS MOUTH, THEN CHEWS VIGOROUSLY) It's quite nice!

MIRRI:Have another one.

MIRRI OFFERS THE PACKET AGAIN AND FIDO TAKES ANOTHER. REX SHAKES HIS HEAD DESPAIRINGLY.

MIRRI:(CONFIDENTIALLY, TO FIDO) I have a confession. I didn't really come in to escape from a marauding tom. That was a convenient invention.

FIDO:Oh?

MIRRI TAKES FIDO'S PAW AND STROKES IT.

MIRRI:Yes. You see, I really came in looking for a bit of rough. I hope that doesn't shock you.

FIDO:(SHOCKED) Er, no. No, it doesn't shock me. Of course not.

REX:(TO FIDO) You've got to snap out of it. You're mesmerised. She's seducing you with her infernal feline charms. She's a she-devil-cat-type- (PAUSE) thing.

MIRRI FIXES REX WITH A COLD STARE

MIRRI:Are you still here?

REX:Yes, I'm still here.

MIRRI:(TAKES OUT PENDANT NECKLACE AND HYPNOTISES REX WITH IT) OK, well since you're here, could you please make yourself useful and go to Aberdeen and fetch me a boxful of brightly-coloured buttons.

REX:Aberdeen. Buttons. Brightly-coloured boxful. Yes.

REX GOES OFFSTAGE IN A TRANCE

MIRRI:(TO FIDO) It's just you and me now. And a packet of mints.

MIRRI PUTS THE PACKET OF POLOS ON THE TABLE

FIDO:Yes. (PAUSE) What shall we do now?

MIRRI:Let's take our time. Let's get to know each other. (PAUSE) Tell me your dreams. Tell me your fantasies.

FIDO:OK. (PAUSE) Well, this is the most wonderful thing I can imagine.

MIRRI:Tell me, tell me. I am listening.

FIDO:You see, what I dream of most is my master taking me to the seaside and throwing a big stick for me miles out in the water, and me racing down to the shore, plunging into the cold salt water and swimming.

MIRRI:(SHUDDERING) Swimming?

FIDO:Yes, feeling the water soaking through my thick fur and wetting my skin as I paddle desperately through the waves. (MIRRI DROPS HIS PAW) What's wrong?

MIRRI:I can't listen to another word. Swimming? Water? Chasing after sticks? Fur getting wet? Ugh. How utterly, utterly tasteless. You've completely put a damper on things.

FIDO:But how? (PAUSE) I love swimming, I do.

MIRRI: (GETTING UP) I'm mortified. I don't think I shall ever recover. I've never been so insulted in all my life.

FIDO:I don't understand what I've done wrong.

MIRRI:Get out of my sight, you great canine lump, before I dot your silly big black wet nose with my razor-sharp claws.

FIDO HIDES UNDER THE TABLE. MIRRI STALKS OFF BUT EN ROUTE OFFSTAGE, SHE NOTICES SOME FURNITURE (E.G. THE OTHER TABLE)

MIRRI:Mustn't waste the opportunity.

MIRRI GOES DOWN ON ALL FOURS AND STARTS RUBBING HERSELF AGAINST THE FURNITURE. FIDO GAZES AT HER LONGINGLY FROM UNDERNEATH HIS TABLE.

REX DASHES IN BREATHLESSLY HOLDING A BOX. MIRRI STANDS UP HASTILY, EMBARRASSED.

MIRRI:What do you want?

REX:(PANTING) Got the buttons.

MIRRI:What buttons?

REX:I got the buttons you wanted from Aberdeen.

MIRRI:Oh, go away, you uncouth mutt.

REX:Huh?

MIRRI DOTS REX SHARPLY ON THE NOSE AND CHASES HIM OFFSTAGE. FIDO REMAINS UNDER THE TABLE.

PAUSE

FIDO:I'm not coming out.

Some of this made me laugh. I think the first part with the two dogs talking is stronger than when the cat arrives. Maybe the second bit relies too much on the idea that a cat going into a pub is funny. Perhaps Fido could try some mis placed chat up lines.

Other things that make cats dogs similiar different might be useful, like:

-Cats wave their tale in anger/dogs with pleasure
-Cats often have bells on their collars to warn birds/dogs have muzzles to stop them biting/
- Both cats and dogs get fleas

Like the polos thing, but you could make more of inuendos involving "holes" "rings" "sweets". Or maybe you could base the whole interaction on a famous seduction scene in a film.

Thanks for taking a look, Bard. Interesting point about it being funnier when it's just the two dogs talking. The problem I've got is that unless another character comes in, it becomes a cosy chat between the two of them & is a little lacking in any sort of drama. But I know what you mean - it is funnier when it's just the two of them.

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