British Comedy Guide

Rock & Chips Page 6

Quote: Afinkawan @ January 25 2010, 9:37 AM GMT

No, it definitely wasn't a comedy and I think it benefited from being a completely different style to OFAH.

Quote: swerytd @ January 25 2010, 11:02 AM GMT

It wasn't a comedy as such, but there were a lot of funny moments. Joanie uses a lot of the wrong phrases as Del did later on and, at times, James Buckly had Del spot-on.

Actually the script is pretty much a regular John Sullivan script. He certainly didn't 'tone down' the humour. It contained all of the things that Sullivan has always put in his scripts - puns, new slang, old jokes worked into dialogue, malapropisms, physical comedy -the saveloy that Del throws out of the bus window hits Reg on the head in the same way that the suitcase chucked out of the window of the Villa Bella in Jolly Boys Outing hits Boycie and Trigger on the head. In fact Sullivan has used this gag loads of times. I remember it in Dear John where Kirk and his mates roll a caravan down some dune which we later learn contained Ralph.

The point is that material the same as this would have produced an acceptably funny OFAH episode 15 years ago, were it performed by David Jason in front of a studio audience.

Quote: Luke @ January 25 2010, 12:12 PM GMT

Some of the jokes were awful, but he got away with it before because it was in a studio audience based sitcom, he can't get away with it in a dramady. To highlight why John Sullivan's writing ability has been defunct in the last 10 years is the character Trigger. Trigger was arguably one of the best characters in the original OFAH series, he was slow but he thought he knew what he was doing, he still felt he was one of the lads. In the last couple of Christmas specials and this dramady he's turned so dumb he's actually coming off as mentally ill. "He's odd. When I saw him he was roaring with laughter at the television" "There's nothing odd about that?" "The television wasn't on". See? It's just really lazy writing, just like how in the last Christmas special Trigger became so dumb he didn't know what blinking was. He was in his fifties and he didn't know what blinking was? How about in the next one John, Trigger starts pissing on the sofa, but it's funny right, because he's like 'i thought this was the bathroom?' Yeah? :I
Basically I thought a lot of it was cringeworthy and simply unnecessary. John Sullivan really doesn't know when to let things go does he? Imagine if The Office continued for years and years? It would lose all it's credibility? Imagine a prequel to The Office where Brent's in a band and Gareth is the hall monitor at school? Sounds okay on paper, but really take a moment and think what it would be like? Yeah? Well John Sullivan should have took more of those moments before he made this, in fact before he made any post 1996 episodes.

Sullivan was a funny writer - and is, I think. But he has never really been a wit and his comedy has always contained a strong vein of cruelty.

In a previous post I suggested that Sullivan had forgotten or not known Granddad's backstory. I now think that considering the show first aired in 1981 he can be forgiven for that. It was conceived years ago when Britain was a different place and he was a different person. Trigger, Grandad - he most likely know less about these characters now than the fans.

Quote: Matthew Stott @ January 25 2010, 10:11 AM GMT

Only caught a bit of the end, but Lyndhurst's eyes seem to be getting closer together all the time. How long before he goes full-Cyclops?

Laughing out loud

Quote: Matthew Stott @ January 25 2010, 10:11 AM GMT

Only caught a bit of the end, but Lyndhurst's eyes seem to be getting closer together all the time. How long before he goes full-Cyclops?

:D

Quote: Matthew Stott @ January 25 2010, 10:11 AM GMT

Only caught a bit of the end, but Lyndhurst's eyes seem to be getting closer together all the time. How long before he goes full-Cyclops?

Funnily enough in an episode of Goodnight Sweetheart he looks into the mirror to see if his eyes are too close together.

Quote: Luke @ January 25 2010, 12:12 PM GMT

I found it frustrating. Simply because it wasn't needed. Saying that, looking back I preferred it over 'Sleepless in Peckham', but that's not saying much at all. The show had taken away the two main things that the audience loved about OFAH, the actors and the gags. I'm not sure the mainstream will be interested in the backstory, especially when you put aside the fact it's a prequel, it's not exactly a cracking drama at all.
It wasn't the worst thing in the world and I actually found the ending quite sweet, but I really wouldn't want to see it as a series as I don't think John Sullivan can write anymore. Some of the jokes were awful, but he got away with it before because it was in a studio audience based sitcom, he can't get away with it in a dramady. To highlight why John Sullivan's writing ability has been defunct in the last 10 years is the character Trigger. Trigger was arguably one of the best characters in the original OFAH series, he was slow but he thought he knew what he was doing, he still felt he was one of the lads. In the last couple of Christmas specials and this dramady he's turned so dumb he's actually coming off as mentally ill. "He's odd. When I saw him he was roaring with laughter at the television" "There's nothing odd about that?" "The television wasn't on". See? It's just really lazy writing, just like how in the last Christmas special Trigger became so dumb he didn't know what blinking was. He was in his fifties and he didn't know what blinking was? How about in the next one John, Trigger starts pissing on the sofa, but it's funny right, because he's like 'i thought this was the bathroom?' Yeah? :I
Basically I thought a lot of it was cringeworthy and simply unnecessary. John Sullivan really doesn't know when to let things go does he? Imagine if The Office continued for years and years? It would lose all it's credibility? Imagine a prequel to The Office where Brent's in a band and Gareth is the hall monitor at school? Sounds okay on paper, but really take a moment and think what it would be like? Yeah? Well John Sullivan should have took more of those moments before he made this, in fact before he made any post 1996 episodes.

This is everything I wanted to say about the prog

I wanted to punch the TV when the part that kept mentioning Johnnie Ray was on, went on too long and made me get worked up inside.

Okay, first let's start with the negative, it wasn't funny. The only time it was funny was the "Ming" scene, which reminded me that Sullivan can actually write comedy very well. Thankfully, that was the one of the few times it tried to be funny. The other times it used Trigger as the outlet, and it fell flat. In fact, flat "flatters" it. The whole "Trigger being a strange name" and Trigger saying "No it isn't, there's a kid down my street named Trigger", "That's you" bit is the single worst piece of writing I have seen on BBC for quite some time, NOBODY is that stupid in real life, and the gag holds the unusual combination of being both predictable and utterly unrealistic.
Now the positive, something strange happened after about 25 minutes, I started to enjoy it for what it was. The actress who played Joan was brilliant, as was the music throughout. The story, though predictable, (Mainly because we know the story) kept my attention throughout, and the pacing was good. As a drama, I enjoyed it, and the hour and a half didn't drag at all. Was it truly needed? No, but few shows are nowadays. I fail to see how it can return though, not as a sitcom anyway. It was set-up as if it could, but I'm sorry to say that I just don't think Sullivan can write consistently good comedy anymore, and this is proven by the fact that the prequel to a highly successful sitcom had to be written as a drama with the odd joke thrown in. I'd give it 7/10 overall.

Quote: Godot Taxis @ January 25 2010, 5:20 PM GMT

The point is that material the same as this would have produced an acceptably funny OFAH episode 15 years ago, were it performed by David Jason in front of a studio audience.

I agree with this. On paper Rock & Chips would look very similar to any other OFAH script. So why they didn't record it in front of a studio audience instead of trying to be all dramery-arty-farty is beyond me.

The scene where Del throws a fish out the window and we later learn it landed on Reg was just a pinch from the scene in Jolly Boys Outing when Del throws a suitcase out of Raquel's flat window and we later learn it landed on Boycie.

Also, the door in the Nag's Head was in the wrong place, it gained a snug from somewhere and the flat was too small.

It was horrendously bad with no plot to speak of.

Quote: Dave @ January 25 2010, 9:26 PM GMT

Also, the door in the Nag's Head was in the wrong place, it gained a snug from somewhere and the flat was too small.

Interiors do change with time, no need for that to worry us.

Quote: Lazzard @ January 25 2010, 3:13 PM GMT

Found a lot of the writing lazy, especially stringing out ancient gags like 'instant cofee' and passing them off as dialogue.

I didn't have a problem with that as the character himself was telling it as a joke. It would have been different if he'd been talking about an event that had actually happened.

Yeh finally something I liked. I was beginning to get troll tendencies. It wasn't traditional sitcom material and whoever mentioned the point about the jokes surrounding Trigger not working were correct. However I enjoyed the storyline. It was well acted and kept me interested throughout. Good idea in my opinion to make it like this as a straight forward sitcom would have of course been compared to OFAH which is pretty difficult to live up to. Even if you are the writer.
It's a shame that from my point of view I've failed to enjoy much of the newer comedy offerings by less well known writers. As a 'not known at all writer' it doesn't bode well for my types :(

Despite my earlier comments about NL, I thought he was excellent in a more serious role. I believe he'd make a good 'real' villain.

James Buckley was also good as young Del and I enjoyed his neck jarring when offering to beat up Reg. On the subject of Reg, that saveloy bit really made me laugh. And I chuckled in several places.

I also enjoyed making tenuous links. Like how Del could have picked up his 'French' from Freddie, a man shown respect by all. And that Boycie may have picked the way he talks up from the cinema owner who sounded incredibly like the older incarnation. Like I said, tenuous, but enjoyable.

And on the small point of the flat, I'm sure it only had the one door originally.

Overall, I enjoyed it. :)

As a little footnote. I listened to a TV critic on Radio 2 on Sunday talk about this prog. She failed to mention who it was written by throughout her discourse. So even if you've got the reputation of John Sullivan, you still don't get a mention in dispatches. What a biatch!

Quote: Nil Putters @ January 25 2010, 11:49 PM GMT

I also enjoyed making tenuous links. Like how Del could have picked up his 'French' from Freddie, a man shown respect by all. And that Boycie may have picked the way he talks up from the cinema owner who sounded incredibly like the older incarnation. Like I said, tenuous, but enjoyable.

I think that the point is supposed to be that Rodney gets his artistic side from Freddie (remember his GCSE in art) and that Del picks up his cod French from his mum who says 'Tel Aviv' to Freddie when she means 'C'est la vie'.

Yeah, you got the easy ones. Whistling nnocently

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