British Comedy Guide

Sitcom Trials/Sitcom Saturday reject

Yes, okay I admit it. I sent the same script in to both comps. (Hangs head in shame) James from Sitcom trials gave me some useful feedback when I saw him at last week's trials, as did Alice and Jeanne at SitSat.

However, being a hog I want more! So, if anyone has the time to read this and leave any comments, I'd really appreciate it. You can be as Rood as you like. :)

FRANK 'N' STAN'S MONSTER

INT. LOUNGE.
AYESHA (20s. Pretty) is sitting on a sofa (facing the audience) her head bowed forward, eyes closed. On either side of her, sitting on chairs facing each other are FRANK (late twenties) and STAN (late twenties) having a whispered conversation.

STAN:
Isn't she the most perfect thing you've ever seen?

FRANK:
I've got it – we cut her up into little pieces and bury her where no one will ever find her.

STAN: (louder)
What? No!

FRANK:
Sshhhhh!

Stan slaps his hand over his mouth as he realises that he was too loud. They both look across at Ayesha to make sure she hasn't moved.

FRANK (Cont'd):
Are you mad? We don't want her to hear.

STAN:
But I love her, Francis.

FRANK:
We'll need to get our hands on an acetylene torch to do it properly, of course – but maybe we can borrow one from that mate of yours.

STAN:
You can't be serious. When you first saw her you said she was gorgeous.

FRANK:
I meant gorge-like – what with that huge wide gob of hers that's always open. We've got to do something.

STAN:
Well, then... we'll run away together. Just the two of us.

FRANK: (thinks)
Don't be an idiot, Stanley. They'll still be able to trace her back to us.

STAN:
Ayesha and me. I'm going to run away with her.

FRANK:
Run? You don't even know she can walk yet. You wouldn't be able to control her, anyway. No – we've got to get rid of her.

STAN:
But look how incredibly beautiful she is. Look at her perfect body. Don't you feel anything? I feel a little like God must feel.

Frank looks her up and down and we see that he is definitely attracted to her.

FRANK
Well, I'm hoping He doesn't feel like this about His creations, but we've got to get rid of her – it's all gone wrong.

STAN
I won't listen to you – she's just a little messed up in her head, that's all.

FRANK:
Exactly! We haven't created the perfect woman – we've just created another woman!

AYESHA:
Bup, ba-da-da-da-da-daaaaaa!

Francis slumps back in his chair despondently.

STAN:
I don't like her doing that, Francis?

FRANK:
If I could have found a computer chip that didn't make that bloody noise when it turned on, don't you think I'd have used it?

Ayesha looks from Stan to Frank and smiles.

AYESHA:
Who are you?

FRANK: (exasperated)
Nobbing Nora!

AYESHA (looking to Stanley)
Who are you?

STAN:
Stanley.

AYESHA:
Who am I?

STAN:
Ayesha.

AYESHA:
Where am I?

Frank puts his head in his hands.

STAN:
You're in our lounge. This is your home.

FRANK:
That's right, it's a home not an interrogation cell! Jeez! It's like living with Jeremy Paxman - in a dress.

AYESHA:
What is interrogation room, Nobbing Nora? What is Jeremy Paxman?

Stan smirks at what Ayesha has called Frank. Frank gets up, stands in front of Ayesha and leans over her pensively.

FRANK:
Yeah, funny Stanley. Now, I've just had a thought, maybe it's just a dry connection somewhere. You know, it might be a simple case of...

Frank slaps Ayesha across the top of her head and clasps his hand as it obviously does him more damage than it does her. Ayesha is totally unaffected. Stan jumps up angrily.

STAN:
What are you doing? You can't hit her.

Ayesha emulates the slap by hitting Frank across the head. He's sent flying into Stan and they end up sprawled on the floor.

FRANK:
My God, she attacked me! Did you see that?

STAN:
You started it! She was just defending herself.

FRANK:
Defending herself? We've created a killing machine.

STAN:
Well, you could have... smudged her make-up.

FRANK:
Oh no! Then she'd have messed up lipstick – for eternity. Because you couldn't turn her off if I died, could you?

STAN:
You can't turn her off either, Francis.

FRANK:
I'm working on it! Help me up. Am I bleeding? I think I may have concussion.

Staggering to his knees, Frank holds on to a standard lamp that tips over and hits Ayesha in the face. She starts moving about as if having been electrocuted, she then bows her head forward again.

FRANK (Cont'd):
I did it! Yes!

STAN:
Oh no, please don't have damaged her face.

Stan tries to inspect her.

FRANK (Busking it):
Yes, that's what I thought would happen - if I, er, induced a power surge – she'd just switch off.

AYESHA:
Bup, ba-da da da da daaaaaa!

FRANK:
Or... re-boot. (shoulders sag) That's it, I'm going to get a chainsaw.

STAN:
What for?

FRANK: (sighs)
I'm going to chop down a tree for Christmas.

STAN:
Isn't it a bit early?

FRANK:
I'm going to chop her up into little pieces, you twat!

STAN:
No!

Ayesha looks at the guys and holds out her arm as if to shake hands.

AYESHA:
Hello, I'm Ayesha. Pleased to meet you.

Frank and Stan do a double take and then jump into each other's arms and dance about whooping.

FRANK/STAN:
We did it, we did it!

FRANK:
I knew I'd be able to fix it!

AYESHA:
Let's have sex. Ooooooh, you're gorgeous. I want you, now.

STAN:
Wha... what's happening, Francis?

Ayesha starts to undo her clothes, Stan fights to keep them on while Frank, realising what's happening, begins unbuttoning his shirt.

FRANK:
She's... yeah, she's gone into default mode. Hey, why are you stopping her? Come on let's take her for a test drive.

AYESHA:
Mmm, that feels sooo good, lover.

STAN:
Test dr... what are you saying? This is our creation.

FRANK:
And? Look, if we're going to sell this to others and make millions we need to know that it... she... you know... what the performance is like?

STAN:
I can't believe you're talking about her like that.

Stan tries to shield Ayesha's ears, but quickly goes back to trying to cover her body as she continues to disrobe.

FRANK:
We also need to see if she irons and cooks - or are you going to stop her from doing that, as well?

STAN:
That's different. You just want to take advantage of her.

FRANK:
Take advantage? She's not real, Stanley. Besides, you can be next.

STAN:
I'm an artist. I can't create something beautiful and then... you know, put my.. defile it with...

FRANK:
Defile it? This is why we made her, isn't it?

STAN
Of course not.

FRANK
What? Well... why the...? Were you not around when we were discussing this?

STAN
I thought when you saw how perfect she was you'd change your mind... see her as a lovely, angelic lady who would be good company. Who would love us and who would stay with us and not laugh if we didn't do things right.

Frank looks at Ayesha struggling to get her clothes off and ravage Stanley.

FRANK
Well, she isn't going to laugh – I promise.

SFX: Doorbell rings.

FRANK:
Bollocks, who the hell is that? You haven't invited any of your arty friends over for a private viewing have you? Oh - just ignore it.

Stan is losing his struggle with Ayesha who is looking dishevelled and continuing to make encouraging noises.

AYESHA:
Oh, yes, baby. Oooh you know how to please a lover.

STAN:
Where did you get her dialogue from anyway? Have you been downloading pornography?

FRANK:
Stanley, for God's sake!

STAN:
Sorry, it's just that-

FRANK:
Of course I have. I'm not an amateur - this is what our customers will be expecting.

SFX: Doorbell rings and is more persistent this time.

STAN:
That could be important.

FRANK:
Well, I can't go. What if work have sent security or even the police, to find out if their prototype personality chip happened to accidentally slip inside my pants?

STAN:
Well, I'm not leaving you alone with Ayesha, I know what will accidentally slip inside her pants!

FRANK:
Right, let's see if we can move her into my bedroom, then.

STAN:
Why your bedroom? As if I didn't know.

The two of them struggle manfully to lift or drag her but she is obviously far too heavy for them. Frank stops, wipes his brow and fumes at Stan.

FRANK:
Your mate couldn't, just once – just bloody once in his life, work with aluminium or even steel?

STAN:
He has an affinity with iron. It's honest and earthy. He wouldn't dream of asking me to create an installation out of plastic, so-

FRANK:
Whatever. Just see if you can hide her while I get rid of whoever's at the door. Coming!

INT. LOUNGE/HALL DOOR.
FRANK walks to the door, opens it and sees LISA (early thirties). He goes out of the door, closes it behind him and starts doing up his shirt again.

FRANK: (a bit meek)
Oh, it's you... hi.

LISA:
What took you so long to open the door? Playing with yourself again?

FRANK:
What? Playin... I was fourteen! You barged into my bedroom. Can't you just leave it alone for once?

LISA:
Isn't that what I said?

FRANK:
Look, I'm busy. It's been great seeing you again.

He turns to go back in his flat.

LISA:
I need a drink and a talk.

FRANK: (sighs)
A drink... oh, let me guess – you've split up with your boyfriend?

LISA:
He has got a name.

FRANK:
Geoff?

LISA:
No – scum-headed buttbox.

FRANK:
I'm too busy right now.

LISA:
Thanks for the sympathy.

Tries to walk past him but he puts his arm out to stop her.

LISA: (Cont'd)
What are you playing at?

FRANK:
I, er... you wanted sympathy – come here yooooooou!

Has an awkward attempt at trying to turn his blocking manoeuvre into a cuddle, but she pushes him away.

LISA:
Get off. You think maybe I'd be up for a bit of incest or something? I just need a drink.

FRANK:
Listen, you can't come in.

LISA:
It's just that this one has got to me – a bit like when me and Rob split up.

FRANK:
Who? Rob? You haven't been out with a Rob – this year.

LISA:
Yeah, I have.

FRANK (looking into the distance as he counts off on his fingers)
David, Nathan, Steve L, Marty, Steve B, Colin, Mark, Bri, Gary, Jim, Leo, Sarah, Brad, Geoff aka scum-headed buttbox.

LISA: (frowns for a second)
Yeah, right, I meant just like when I split up with Leo. I knew it was one of those shorter names.

FRANK:
At least have the decency to remember their names. You just eat men up, then spit them out, don't you?

LISA:
Well, I've never actually spat them out, to be honest.

FRANK:
Lovely.

Lisa tries to push past him again, but he stands adamant.

LISA:
What is your problem? Come on Frank, I need a drink – what have you got?

FRANK:
I've got... we've got a project we're doing.

LISA:
C'huh, forgot you were still at school. What are you two doing? Designing paper planes?

FRANK:
I mean... experiment. I can't let you in. He's doing something arty – making a model. Yeah, that's it, he's making... creating a model type thing. Anyway-

LISA:
You're hiding something.

FRANK: (very nervous now)
Me? No.

LISA:
Yeah, you are. If you were remotely normal, I'd say you had a woman in there. What's Stan doing, trying to deflate her while you keep me busy?

STANLEY'S VOICE OFF (shouting):
You give me my trousers back right now, Ayesha.

LISA:
What the..?
(THIS WAS CLIFFHANGER FOR TRIALS)
Lisa barges through the door...

INT. LOUNGE.
Standing with his back to us, minus his trousers, is STAN. AYESHA is partially hidden from view and appears to be moving her hand up and down close to his waist rhythmically.

FRANK:
Stanley!

LISA:
My god-

Stan looks over his shoulder and then moves away from Ayesha. We see that she is standing at an ironing board, wielding an iron uncontrollably and making a complete mess of trying to iron Stan's trousers while he attempts to pull them back from her. He sees Lisa and tries to hide his modesty.

STAN:
She... she wanted to do some ironing. I couldn't stop her.

FRANK:
Oh, right. Good. Ironing - we need to know about that.

Lisa looks from Frank to Stan to Ayesha and back.

LISA:
What do you mean: need to know? What's going on? Aren't you going to introduce... your friend?

FRANK:
No, this is nothing to do with you.

LISA:
Hey – nice dress. I had one exactly the same as that until it just... disappeared.

FRANK: (quickly trying to deflect her interest in the dress)
Yeah, anyway, this is Ayesha, she's... um, East European. Just arrived in the country. Doesn't speak a word of English – can't even understand it.

AYESHA:
Hello, I'm Ayesha. Pleased to meet you.

Lisa looks at the two guys and raises her eyebrows.

LISA (to Francis):
What did she say? You know, what with her not being able to speak English and everything.

STAN:
We taught her that. She, er, we... um.

FRANK:
She's our cleaning lady. She was just auditioning for it.

STAN:
Yes - and ironing lady.

LISA
Auditioning?

FRANK
Auditioning, interviewing... whatever you do with cleaning ladies. Blimey! Is that the time? You really should be going, Lisa, I'll get you a bottle of wine and you can go and have your drink in the park – maybe meet your next boyfriend on one of those nice benches?

LISA:
Don't be ridiculous. Cleaning woman! You expect me to believe that?

Frank and Stan look at each other like rabbits caught in a car's headlamps.

LISA (Cont'd):
She's stunning!

The guys are visibly relieved.

FRANK
Yeah?

LISA
Absolutely gorgeous.

STAN:
Do you think so? Well, thanks, I really wanted to create this beautiful-

FRANK:
Stanley!

AYESHA: (putting down iron and looking at Lisa)
Let's have sex. Ooooooh, you're gorgeous. I want you, now.

Lisa is taken aback, but recovers.

LISA:
Wow. Did I just hear right... what did you say?

Stan tries to stop Ayesha approaching Lisa, while Francis leaps between them and grabs Lisa to lead her away.

FRANK:
Ha ha ha ha ha. Little joke. We taught her to say that. She was actually trying to say... er, hello I'm from East Europe, I don't speak English so good. Funny, eh? (feigning anger at Stan) I told you, Stanley, that's very inappropriate to teach-

AYESHA:
Mmm, that feels sooo good, lover.

LISA (taking a real interest):
She's just so open, isn't she? She's amazing - so fresh!

FRANK:
Yeah, amazing. Still, you've got to go now.

Starts to seriously bundle Lisa out of the apartment.

LISA:
I can't believe I'm saying this about one of your friends, but - I'd really liket to put her forward to appear in a shoot for the magazine. What's her name again?

STAN:
Ayesha.

LISA:
Ayesha what?

FRANK:
Just Ayesha!

LISA:
Plain Ayesha. That's brilliant!

Thrusts Lisa out and slams the door.

FRANK:
We've got to get rid of her!

STAN:
We can't she's your sister, you-

FRANK:
No - Ayesha. This is all getting out of control.

STAN:
But Lisa thought she was beautiful. If she thinks she's stunning and she appears in the magazine, she could become a supermodel!

FRANK:
Oh, right - our uncontrollable, sex-obsessed, artificial, messed up automaton with serious weight issues? (Thinks about it for a second before raising his eyebrows.) Hey, hold on a minute...

This really is a script of two halves.

The first half (up the point Frank opens the door to Lisa) is very good indeed.

It's refreshingly original and it's wonderfully funny.

It's leagues ahead of some sitcoms that have made it to our screens.

Also, the title "Frank 'n' Stan's Monster" shows considerable comedic talent on the part of whoever came up with it.

The second half (after Frank opens the door to Lisa) is nowhere near as good and I'd scrap most of it. There are some very good lines ("What's Stan doing, trying to deflate her while you keep me busy?" and ". . . have your drink in the park – maybe meet your next boyfriend on one of those nice benches?") but, in the main, it's too heavily-laden with jokes that aren't particularly funny and dialogue that isn't really necessary.

For the comedy to work to its full potential, I think you have to 'keep it real' in all respects other than that the guys have somehow managed to build a robot-girl. When Lisa becomes attracted to Ayesha, that's an unwelcome departure into farce. It wouldn't happen in real-life.

All in all though, the message comes across loud and clear - you can write bloody good comedy. Cool

I agree with Roodeye - especially regarding the chunk after Frank opens the door to Lisa. There's no need for all the 'funny' chit-chat about her ex-boyfriends. Just get her to fight her way in straight away!

Apart from that - a great, silly over-the-top comedy. Love the play-on-words title, "FRANK 'N' STAN'S MONSTER". Nice one!

Thanks guys. Very helpful.

I always find it difficult to crit my own work as I know why I did certain things and can see the reasoning behind it.

I had no idea that the stuff with Lisa was so different from what went on before the door was opened. It's also one of those things where you go back through the script and think - need more gags, need more gags, it isn't funny enough! So maybe that's why the extraneous stuff gets shoe-horned in.

But really appreciate your comments.

Just thought: Since I received crits from the two competitions, I may as well amalgamate them and post them up here, without attributing any of the comments to either of the competitions (so as not to compromise anyone). I think it might help others understand exactly how sitcoms are judged (in this context – which I know is slightly artificial because of the 15 minute timing) and may give us all a bit more chance of gaining interest when we write and send stuff off. Bearing in mind that, apparently, the BBC receives around 20,000 unsolicited scripts per year, or nearly 400 a week.

Anyway, here are the crits I received:

One said they didn't like the title and if it wasn't a competition they possibly wouldn't have read on (and by implication probably wasn't going to be feeling very positive towards it)
One said the characters weren't very well developed.
One said the two main characters (Frank and Stan) weren't different enough from each other.
One said the plot felt underdeveloped.
One said that there weren't any unexpected twists.

These are obviously just the negative ones – but then those are the ones that need to be addressed to move on.

Hope you find this useful – and if you do, then it would be great to get some comments from anyone out there who's looked at what I've written and is thinking: It's obvious – it's not funny because it's… shite, or ill-though out, or… whatever. And don't be worried you'll offend me with any negativity. This is just an idea I had in answer to the two competitions that were posted on the site.

"Jeez! It's like living with Jeremy Paxman - in a dress."

Might be just me, but I thought that line was outstanding. Imagine if she really did have the personality and voice of Jeremy Paxman (or maybe Jeremy Clarkson) what a nightmare that would be! Might add a few twists to the plot? Because I kind of agree about the main characters being a bit too similar & undeveloped & the plot is pretty much linear until Lisa comes in (& then veers off in a not very promising direction). But there's a lot of funny stuff to work on here.

I despair sometimes Kasm, I think it maybe that you are not the producer's, cousin's, aunty's nephew's wife or his next door neighbour's son

Hi Kasm, really liked this, made me laugh. Agreed with the others (about there being two different halves) the first time I read this, but didn't have time to leave a comment, however I genuinely liked both halves, but again the first more than the second.

Thanks for posting your crits it is useful for other writers, well, to me anyway. I also think that your title is clever but have to admit it did initially put me off I think maybe because it sounded like something more corny but can't fully put my finger on why (sorry to be vague).

Also, for some reason I heard Armstrong and Miller for Stan and Frank, not sure why as you clearly state they are younger, but I did and so I heard them as distinct separate characters. One thing I did think is that it would make a good repeatable sketch on a show like theirs IMO. Anyway good luck with it and all the best.

Rupe, bushbaby and Die Hard - very much appreciate the time and effort reading this and then commenting.

Rupe - I was thinking of developing Ayesha in this sort of direction, hence the 'Monster' in the title. (Although I'm a little worried what effect Jeremy Clarkson in a dress might have on British males, given that they already seem to be in love with the hairy old rocker.)

BB - you've made me feel worse! I bloody well am the producer's, cousin's, aunty's nephew's wife's next door neighbour's son!

Die Hard - I think I'm going to ditch the second half, exchange Lisa for an older character that brings a different dynamic to the relationship and introduce some jeopardy that will move the 'episode story' along instead of it being just a couple of bods discussing their creation.

As for the title: I've had feedback probably 60/40 on the positive side but I'm worried whether a title that polarises opinion so much is actually a good thing – considering that one of the detractors was a judge!

Anyway, I've been encouraged enough to continue to the end, so thanks for all your time and efforts. Much appreciated.

Kasm :)

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