Quote: Roodeye @ October 20 2009, 2:59 PM BST
Ah, the infamous Last Laugh competition.
I bet the BBC are still trawling through those 6000 scripts trying find the FIRST laugh!.
Still, as dire as most of those scripts were, even the worst wasn't as bad as the very best episode of 'My Family'.
You didn't get shortlisted then...?
Quote: Roodeye @ October 21 2009, 3:50 PM BST
But seriously though, folks - out of all 6000+ scripts, I saw only two really funny ones.
One was my own (obviously) and the other was Steve's 'Miss Milton' in which the star of the show was a hilarious Asian grandad.
Neither was selected for the short list and that alone demonstrates what a load of retarded humourless bastards the readers were.
Of those shortlisted, the best script by a mile was Mary Marland's ending for Carla Lane's 'Someday I'll Find Me'. Also worthy of mention for the quality of its writing is Sheepy's ending for Ian Pattison's 'Annie's People'.
The two shortlisted 'Miss Milton' endings were total, absolute, complete and utter shite.
As a competition it brought nothing but disgrace upon the BBC but for the competitors it was a hell of a laugh.
How charming.
For the record folks, the readers were not "retarded humourless bastards".
And The Last Laugh did help launch a few writing careers and furnished a few more people with the stimulation and impetus to carry on writing because - for no other reason - they liked it.
The shortlisted endings for all the scripts were chosen because they provided contrast and a continuation of style. A lot of people read all the submitted scripts - people who read and work with comedy and writers all the time. What may have been a great script to the writer may have actually been something The Last Laugh people saw flaws and setbacks in.
And being funny is never enough when writing comedy. There is nothing worse than funny after funny with nothing inbetween.
Also, between them the "Egyptian", the "American" and "one of the girls from 'Two Pints' - not the funny one, the other one" have produced a lot of work that has got commissioned, re-commissioned, syndicated, remade around the world and actually made. Just saying...