Jane P
Tuesday 26th May 2009 5:37pm
Chichester
1,071 posts
Quote: Marc P @ May 26 2009, 2:01 PM BST
Maybe you are thinking of sonnets.
I'm not that thick - I was thinking of:
THE MATTER OF KU-MATAGARI (SEGMENT-STRADDLING)
Besides the two linguistic considerations and the varying underlying structures , there is yet another factor adding freedom and flexibility to contemporary Japanese haiku. Although a majority of contemporary Japanese haiku are still written in the classic 5-7-5 form, a significant number of them make use of what is called ku-matagari (segment-straddling), where a word straddles two segments. Many haiku that appear to be, and can be read aloud as 5-7-5 are actually 7-5-5, 8-4-5, 5-9-3, 5-8-4, etc. This technique is more frequently used by the poets in the avant-garde schools, and only those schools seem to allow more than one straddling within one haiku.****
Although the popular use of ku-matagari is a relatively recent phenomenon, I have come across some examples in a comprehensive collection of Issa's haiku.
Here is one example :
dou owaretemo (7) hitozato-o (5) watari-dori (5) - Issa
hunted mercilessly
migrating birds still
fly over towns