British Comedy Guide

New member - sitcom extract

Hello BSG, long time fan, first time poster. Wave

Just thought I might as well bite the bullet and introduce myself and what better way to go about this than by posting an extract of my train based sitcom 'Carriage Babble'.

Here's the synopsis:
Carriage Babble is a sitcom following a young man as he races into London Euston to catch a train headed to Edinburgh to visit his girlfriend. Once he steps onto the train however, we suddenly become transported into a world of forced public confinement, jumping between conversations and passengers. All spectrums of society are represented within the carriages, as a whole host of nameless characters and individuals create a bizarre and claustrophobic universe around our central character as he makes his way up north. Focusing in on person to person, group to group up and down the train, the sitcom reveals the largely aimless, frequently humorous, mindless babble heard on trains.

Love to hear any feedback you guys may wish to give :)

*I'm trying to post up the html file of the extract but its not coming up as a link? How do I do this? file:///Users/edencarter/Desktop/Carriage Babble extract.html

I'm intrigued to see how this would look. A pity that the link doesn't work. Are you able to cut and paste an extract?

Def.

That is one odd premise!

Quote: Eden Carter @ January 5 2009, 11:13 AM GMT

*I'm trying to post up the html file of the extract but its not coming up as a link? How do I do this? file:///Users/edencarter/Desktop/Carriage Babble extract.html

You need to put it on the web somewhere first. Perhaps try Google Pages? :)

As a bit of a train fan, this does sound like quite an interesting show concept.

Hey I tried the Google thing but they don't accept pages anymore or something? Anywho I thought I'd just copy and paste it here. I apologise if the format is all fudged up now. Its actually typed in Celtx but I didnt know how to create a link lol. So these are the opening scenes. Appreciate any feedback guys

CARRIAGE BABBLE
EPISODE 1 (PILOT): 'IF YOU'RE SEATED COMFORTABLY, WE SHALL BEGIN...'

PROLOGUE: 'THE BIRTHDAY SPOILER'...

FADE IN:
INT. TRAIN CARRIAGE - DAY

THE SCENE OPENS WITH A YOUNG MAN (BEN) SITTING ON A TRAIN, AIMLESSLY THINKING TO HIMSELF. IN HIS EARLY 20'S AND TRAVELLING WITH A LARGE BAG, HE HAS THE APPEARANCE OF A STUDENT. HOWEVER, A LOUD AND EXCITABLE YOUNG BOY, SITTING NEARBY WITH HIS FATHER, A BURLY TATTOOED MAN AND ANOTHER MAN DISTURB HIS PEACE. THE BOY, UNABLE TO SIT STILL IN HIS SEAT IS SINGING ABOUT WHATEVER COMES INTO HIS HEAD.

LITTLE BOY

(SINGING) We're on a train,
eeeeveryone's on the train...

FATHERS FRIEND

Now do you want to open your
present now, or later when I've
wrapped it up?

LITTLE BOY

Urrm...

FATHER

(HAPPILY) Oh go on 'ave it now!

LITTLE BOY

Yeah OK then!

THE FRIEND OF THE FATHER THEN REACHES DOWN INTO HIS BAG AND PLACES A BRAND NEW TELESCOPE ON HIS LAP, OUT OF SIGHT FROM THE BOY.

FATHERS FRIEND

OK it's on my lap but first, you
have to guess what it is.

BEN, WATCHING THE SCENE THEN GIVES AN AUDIBLE GROAN, AS THE BOY PROCEEDS TO LIST A WHOLE RANGE OF RANDOM TOYS HE HAS WISHED FOR.

LITTLE BOY

Uh Spider-man with the squeeze
legs?

FATHERS FRIEND

No.

LITTLE BOY

Uhhh Dino-boy, with the munching
jaws of doom?

FATHERS FRIEND

(PLAYFULLY) Wrong again.

LITTLE BOY

Urrrrrrrm...

FATHERS FRIEND

I'll give you a little clue. It
begins with a T.

LITTLE BOY

(SHOUTING EXCITEDLY)
TRANSFORMERS!

FATHERS FRIEND

Nope.

BEN AT THIS POINT, GROWING EVER MORE AGITATED AND ANNOYED WITH THE LITTLE BOY, SHUFFLES UNCOMFORTABLY IN HIS SEAT.

FATHER

(TO HIS SON) Come on, what else
begins with 'T'?

LITTLE BOY

Urmmm...

FATHERS FRIEND

(LAUGHING) Ohhh look, he's nearly
got it!

JUST THEN AN ELDERLY GENTLEMAN STANDS OVER THE AGITATED BEN.

ELDERLY MAN

(TROUBLED)
Excuse me son, you couldn't point
me to the toilets could you?

BEN LOOKS DESPAIRINGLY PAST THE ELDERLY MAN AT THE LITTLE BOY, AS IF IT IS BECOMING A REAL EFFORT TO HOLD HIS TONGUE.

LITTLE BOY

(STILL GUESSING) Urmmm...

ELDERLY MAN

(ADDRESSING BEN MORE DIRECTLY)
So, these toilets? Where can they
be found?

LITTLE BOY

Urmmm...

BEN SUDDENLY STANDING UP, CAN NO LONGER CONTAIN HIMSELF.

BEN

(SHOUTING AT THE LITTLE BOY)
It's a TELESCOPE mate!
(POINTING AT THE HIDDEN GIFT)
It's a FREAKIN' TELESCOPE!

SUDDENLY AWARE OF EVERYONE'S SHOCKED GAZE, HE TALKS SLOWLY.

BEN (CONT'D)

Just a telescope...
(QUIETLY TRAILING OFF)
It's just a telescope...

THERE IS THEN A SHORT PERIOD OF SHOCKED SILENCE WITH WHAT SEEMS TO BE THE ENTIRE TRAIN CARRIAGE'S GAZE FIRMLY FIXED ON THE RAPIDLY SHRINKING BEN, WHO ALTHOUGH IS STILL STANDING, IS VISIBLY EMBARRASSED.

ELDERLY MAN

(BREAKING THE SILENCE)
... Oh sorry son, it's OK.
(SHOUTING DOWN THE TRAIN)
Sheryl! Bog's this way....

THE ELDERLY MAN WALKS AWAY, WHILST THE FATHER OF THE LITTLE BOY LOOKS ON ANGRILY AT BEN AS HIS BOY BEGINS TO WELL-UP.

CUT TO:

EXT. TRAIN PLATFORM - DAY

BEN IS VIOLENTLY FORCED OFF THE TRAIN AT THE NEXT STOP BY THE ANGRY FATHER AND HIS FRIEND. THE LITTLE BOY IS SEEN TO BE IN TEARS CLUTCHING HIS NEW TELESCOPE.

FATHER

(LOUDLY WHILST THROWING BEN'S LUGGAGE OFF THE TRAIN)
...and the next time I see yer,
I'll wipe the bloody floor with
ya!!

AS BEN LOOKS BACK UP TO THE ANGRY FATHER, WE SEE THAT FURTHER UP THE TRAIN A SIMILAR INCIDENT IS OCCURRING, WITH A MAN IN A DIRTY-LOOKING MACKINTOSH BEING PUSHED OFF BY ANOTHER ANGRY FATHER, WHOSE GESTICULATING AND SHOUTING WILDLY. THE MACKINTOSH FIGURE SEES BEN AND WALKS UP TO HIM, NOTICING HE'S HAD THE SAME TREATMENT.

MACKINTOSH MAN

(WITH A WRY SMILE) Ahhh you can't
get 'em every time eh?

AS THE MACKINTOSH MAN WALKS PAST BEN, HE CLAPS HIM ON THE BACK, REACHES INTO HIS POCKET AND GIVES HIM A SWEET. BEN IS LEFT TO LOOK ON BEWILDERED, SWEET IN HAND AS THE DOORS CLOSE AND THE TRAIN LEAVES THE STATION.

FADE OUT:

END OF SCENE.

INTRO AND TITLE MUSIC

FADE IN:

SCENE 1: 'DEPARTURE'

EXT. TRAIN STATION- DAY

THE SCENE OPENS WITH SHOTS OF A NOISY AND BUSY LONDON EUSTON. WE THEN SEE BEN WHO WAS FORCED OFF THE TRAIN EARLIER HURRYING THROUGH THE BUSTLING CROWDS WITH HIS LUGGAGE TO READ THE TRAIN TIMES. WHILST SCANNING THE BOARD, THE CAMERA, ACTING AS THE EYES OF BEN FOCUSES IN ON THE DESTINATION (EDINBURGH), THEN THE TIME OF DEPARTURE AND THEN THE PRESENT TIME, WHICH SHOWS HE ONLY HAS 2 MINUTES BEFORE HIS TRAIN LEAVES.

BEN

Oh crap...

SFX: FRANTIC SOUNDING MUSIC

AS WE SEE BEN RUN OFF TO GET HIS TRAIN, THE CAMERA SWITCHES TO A MAN REPEATEDLY THROWING A SMALL CHILD WILDLY UP IN THE AIR. A NEARBY GROUP OF PEOPLE VOICE THEIR CONCERN.

CONCERNED WOMAN

I'm not sure you should be
throwing your child like that...

THE MAN, CONTINUING TO THROW THE NOW SCREAMING CHILD, EYES THE WOMAN.

THROWING CHILD MAN

(NON-PLUS)
Ain't my child, what do
I care?

CUT TO:

EXT. TRAIN AT PLATFORM - DAY

WE SEE A TRAIN STILL AT THE PLATFORM. BEN SUDDENLY RUNS UP AND GETS ON BOARD JUST BEFORE THE PLATFORM TRAIN GUARD BLOWS HIS WHISTLE AND WAVES FOR THE TRAIN TO LEAVE WITH HIS PADDLE. AS THE TRAIN LEAVES THE STATION, THE TRAIN GUARD WAVES ON ANOTHER GUARD WHO BRINGS A SWING BALL SET AND THE TWO BEGIN PLAYING USING THEIR PLATFORM PADDLES AS RACKETS.

END OF SCENE.

Quote: Aaron @ January 5 2009, 3:42 PM GMT

As a bit of a train fan, this does sound like quite an interesting show.

Have you heard of a little show called Thomas the Tank Engine? If you like big fat controllers too, you are in for a treat!

Eden, to get your script read, you've really got avoid losing the reader in the first few lines.

The episode title is the first blow. 'IF YOU'RE SEATED COMFORTABLY, WE SHALL BEGIN...' It's long and obvious. And unnecessary.

THE SCENE OPENS WITH A YOUNG MAN (BEN) SITTING ON A TRAIN, AIMLESSLY THINKING TO HIMSELF.

How do you 'aimlessly think to yourself?' This is an indication to a reader that you're not very good with language. Keep it straight and simple - 'deep in thought' or 'thinking' or best of all, don't say anything.

IN HIS EARLY 20'S AND TRAVELLING WITH A LARGE BAG, HE HAS THE APPEARANCE OF A STUDENT. HOWEVER, A LOUD AND EXCITABLE YOUNG BOY, SITTING NEARBY WITH HIS FATHER, A BURLY TATTOOED MAN AND ANOTHER MAN DISTURB HIS PEACE. THE BOY, UNABLE TO SIT STILL IN HIS SEAT IS SINGING ABOUT WHATEVER COMES INTO HIS HEAD.

This is a big cliché. Why can't the tattooed man be skinny? Why not write:

'Ben, a student is stiting amongst a group of non-students who probably want to kill him - or at least see him pay tax.'

This will keep the reader conscious and engaged while you shovel coal into the joke engine. If you've got any coal.

Quote: Godot Taxis @ January 5 2009, 5:05 PM GMT

This is a big cliché. Why can't the tattooed man be skinny? Why not write:

'Ben, a student is stiting amongst a group of non-students who probably want to kill him - or at least see him pay tax.'

This will keep the reader conscious and engaged while you shovel coal into the joke engine. If you've got any coal.

Because the ACTION part of the script isn't for jokes. It's for describing, straight, what's going on.

I've got some chewing gum here that I'm having trouble with seefacts. How exactly does it work?

Quote: Godot Taxis @ January 5 2009, 5:23 PM GMT

I've got some chewing gum here that I'm having trouble with seefacts. How exactly does it work?

Why don't you ask me at the next meet, then get pissed off because I don't give you an answer?

Hey Godot, thankyou for your swift critique. Yeah I guess I do 'over-write' the stage directions but I think the title is something separate. Does it really matter that its long and obvious? I understand that with the '10 page' sift rule a wordy first page may be off putting to the reader but the title is just a header that takes no time at all to read and could easily be change.
'Deep in thought' sounds like a good alternative. But I thought many people aimlessly think. You know when you just have nothing going on up there, like a trance and you zone out? Or maybe your 'on it' all the time, I don't know lol.
Yeah originally he wasnt 'burly' or 'tattooed' but someone after reading recommended it and I thought it was quite a good visual. Like a weekend dad type figure whose also quite gruff but is uber sensitive about his boy.
There's some coal I assure you lol. You are referring to my manhood aren't you yeh?
What did you think of what's happening in the story though?

As much as it pains me, I'm going to have to agree with Godot here. The punchier you make the ACTION line, the easier it will be to read. I'm certainly going to make sure I do this in future scripts. Yeah, no jokes please.

I think in action the essentials need to stick out.

Like in one of my scripts it was vital one of the characters had a beard, so that's all I really said about him.

Quote: Seefacts @ January 5 2009, 5:26 PM GMT

Why don't you ask me at the next meet, then get pissed off because I don't give you an answer?

Okay, I'll bend down and ask you.

Quote: Godot Taxis @ January 5 2009, 5:43 PM GMT

Okay, I'll bend down and ask you.

Good luck with that.

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