British Comedy Guide

Getting a novel published Page 2

Thanks for all the advice. I'm planning to rework my NaNo sometime so I've got over 50,000 words ready.

Quote: Griff @ February 9, 2008, 2:03 PM

I think small publishers accept manuscripts direct, but if you're looking to make any money, be warned that it's possible with small publishers to hand over a 100,000 word novel that took you five years to write and get a few hundred quid back at most.

Surely that's better than nothing. Once you'v got one in your hand it's a gtreat stepping stone I would have thought.

A published book that is.

You won't put me off Griff. No-one else on here has managed to.

And I'd love to see my book in 3 for 2 at Waterstones.

I'd like to see mine get on the Richard & Judy reading list.

Immediate f**king fortune.

I'm not sure... I can't remember one. How many years has it been running?

I know they have no obligation to promote new writers. But they know how powerful they are, and it does now annoy me a bit when they put already massively successful authors on their book list, who do not need the publicity or the new readers.

Quote: zooo @ February 9, 2008, 7:38 PM

I know they have no obligation to promote new writers. But they know how powerful they are, and it does now annoy me a bit when they put already massively successful authors on their book list, who do not need the publicity or the new readers.

10 out of 10. Couldn't put it better myself.

Quote: Griff @ February 9, 2008, 7:27 PM

Yep, I think getting picked for Richard & Judy is like winning the lottery. Big bucks.

Anyone know if anything remotely approaching a comedy novel has ever been on the R&J booklist ?

Starter for Ten - although it was written by the guy who did Cold Feet, so he did have a headstart...

Did a novel writing MA last year - will see if I can dig out what the agents like to receive (covering letter wise etc...)

From what we were told, small publishers are a good way to go (the majority of book prize nominations like the Booker go to books published by small publishers - to encourage the grassroots of the industry), but then it's still an advantage to have an agent - but to get an agent it helps to have interest from a publisher so it's a bit of a catch 22.

And apparently the way to the top of the slush pile is to have something that proves the quality of your writing - winning a national competition or having short stories published in a print or online magazine that is tough to get into (or have a popular online blog).

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