Here are my reviews and votes for all 36 sci-fi scripts (couldn't open the BFF 3000 one though). I have to say I really enjoyed reading them and that this is the highest standard Sitcom Trials I've known. And the wide range of sci-fi themes among these entries means there is something for everyone.
Some common inclusions I noticed: Hitler, iPhones, Stephen Hawking ...
Lots of hard work goes into writing and finishing a script, so well done to everyone who has taken part. Sorry if I've given you a 'no' - I honestly appreciated parts of all the scripts I read.
Clarice: MAYBE - good pace, decent plot with lots of measured dialogue. Only thing stopping me giving it a yes is the holy humour not being my cup of tea.
Stanburg: MAYBE - I've written a paranormal investigator sitcom too, so was intrigued about this entry. Some visual description used but nothing the script can't do without. Easier to follow than the previous Stanburg I read, but still could have been easier (though that might just be me). Characters sound the same to me, apart from the mayor. Some clever lines and the loose ends are wrapped up nicely enough.
Country Rock: MAYBE - crippled country joke a bit dodgy. Liked Steve's opening line. Good characterisation. Very good dry jokes. Plot goes a bit wayward. Deserved a better ending. I liked this very much but felt it ran out of steam. Prob the best 'maybe' of my maybes.
Our Mutual Friend: YES - mine. This guy's writing reminds me of my own.
Alice and the Genie: NO - felt like a panto at first. Henry the Eighth joke was clever. Like the 'holy' comedy used in Clarice, I was never going to find genie-themed humour funny, but at least the jokes didn't rely too much on being a genie after the first act, in which I feared the worst. Act 2 with the balloon just didn't get going at all, for me, and I just couldn't find the balloon stuff funny. As a small character in a comedy, Barry might work fine, but I'm not sure about a sitcom, or even an episode, all about him.
Aliens: YES - Thought it a bit weird that two 20-somethings would hang out or be flatmates with a 40-something. Flows very nicely. Yeah, it's not bad. I liked the ending. What part would you have as the cliffhanger?
King Chicken and the Ning Nings: MAYBE - Nice innovative idea regarding the audience. Exposition joke was good - I missed that at first. The script is okay, with a fair plot. But I didn't find the characters grabbing me at all, as I couldn't work out much about them. In act two things came together well, so my vote went from no to maybe.
Face-time: YES - 'The face that ate a thousand chips' was my fave line. Dialogue between the two main characters was natural and easy, and the story was an interesting one. Ending could have been better, but then again they're the hardest to do.
51 Roswell Rd: NO - Kind of enjoyed the idea of an alien trying to persuade a geek to let him stay in his house. But I found the script very sluggish, almost circular such was the repetitiveness of Robert's whining, with little plot.
Not From Round Here: NO - Nice one for trying something different from the usual Trials set-up. I'm afraid I just didn't find it funny though, or that there were enough jokes. Sorry.
Chimps: NO - Too much re-capping and reference to past events. But mainly it's a no because I only found one bit funny (Falafel testing Jen and Terr's resolve not to laugh) - sorry.
A Womb with a View to Kill: MAYBE - the funeral joke tickled me. Short, snappy dialogue was appealing. Gets a bit bogged down in itself, losing track of the plot. Didn't understand the Hitler time-travel mechanics.
Apocalypse: NO - There's a lot of anecdotes about past events. Would possibly have benefited from more evidence of the immediate danger, to instil some tension. Too much banter as well, for me. On the plus side the short dialogue, as in 'A Womb with a View to Kill', made it easy to follow. But overall it's a no from me - sorry.
Apocalyptic Cake Sale: YES - I really enjoyed reading this. Good, distinct characterisation, which I felt was rare in a lot of other scripts. Seeing the end of the world in a positive way is a great angle (reminiscent of Del-boy from Only Fools), which the writer portrays extremely well through Tom. I found the positivity and character of Tom funnier than the dialogue, but the story is short and sweet and moves at a good pace.
The Bringer of Desserts: NO - Interesting set-up and the narrator's monologue was funny and well-measured. But there was quite an anticlimax, I thought, after a build-up that promised much. I thought Burrax as a character didn't really work and wasn't funny. As intimated above, the narration in the script was gripping, but this backbone was let down by other elements, which made for a very uneven feel to the episode.
Area 47a: NO - Afraid I didn't understand the story, or the characters' motives for doing what they did. They wanted to make a 'geek Adonis' - er, okay ... why? There were some funny lines, though not enough for me, and it was good to see that things were happening rather than relying on past events being discussed. But I think the fact this story had been shortened for the Trials may have played a part in my finding the ending confusing.
Bunk: YES - Feel like I've seen/heard the Um Bongo joke many times before. Interesting setting for a sitcom. Liked the Ross Kemp bit. I like the characters of Aubrey and Justin; and the moral undertones regarding advertising. Very good underplayed line by Aubrey when comparing what Ian and Sandra had done, with the Um Bongo incident. Seems a bit too long and other tweaks may be needed to fit the Trials format, but this script possibly had the best set-up of characters and situation of all the submissions.
Chaos: NO - Really liked Ethel's reaction to being asked for a donation. Didn't think it was obvious why Rory followed her, but you learn later it's cos he fancied her. Some good lines but not enough of them, I thought. The story just 'stopped' quite suddenly - before that, I was going to give Chaos a 'maybe' because although I didn't find it funny often enough, I was entertained enough by it and wanted to see where it was going.
Dome, Sweet Dome: NO - Soprano joke was funny. Very energetic script, lots happening (probably too much). Didn't find enough of it funny, and it reminded me too much of Red Dwarf in some settings and story elements.
Event Horizon Crescent: NO - Nice title. Liked the peeing joke. Enjoyed the pub's name being the 'King's Tentacles'. Apart from the 'congratulations' line, I didn't find Foggit funny or see what he/she/it brought to the script. The reasoning for the dad's sacking was clever. But the reason for my 'no' is that the first part was saturated in sci-fi jokes. I did warm to it more in the second part but overall it's a no, sorry. Congrats on the pod series, though - will check it out.
Great Space: NO - Liked the Cheers joke. Cliffhanger line was cringeworthy. Found the script way too detailed and intricate. After a promising start, I thought the funny bits dried up and I laboured to read it.
Hey Human! Get out of my wife: NO - The ideal castings was a nice touch. I won't lie - I took one look at that epic first paragraph and my heart sank. I hope it doesn't put people off. Nice sense of fun to the script, but I rarely found it funny - sorry.
Men in Brown: MAYBE - Felt the story stalled in favour of character background exposition. I like Gregg - he reminds me of my mate ... Greg. Appreciated the dry humour and understated dialogue, but felt the story didn't quite live up to its promise.
Nova FM: NO - The moral of the story was really sweet. But I'm just not a fan of humour repeatedly based on the sci-fi nature of the characters/situation. For me, it should be an amusing bonus that aids the episode, not a main source of jokes.
S.U: NO - Didn't find the broken door problem very exciting. As for the couch, more could have been made out of Steve's clumsiness here - made it more obvious and funny. Because the script relies quite a bit on visual effects (superpowers) that can obviously not be shown, the comic effect of these SFX being read out is lost. Although there were one or two funny lines, and some emotion at the end, the characters felt wooden and I didn't feel there was really a story here.
Inconceivable: NO - Sorry, I didn't read this as it's nearly 4K words and there are quite a few scripts to read through this time.
Sky-Level: NO - Too much dialogue per person and the plot takes a long time to start.
Space Cowgirl: MAYBE - Banter with the alien in the bar was good. Liked the toaster joke. Some decent lines in there. What goes against it, in my opinion, is that there isn't really a plot to go with the fun.
Space Vets!: NO - Quite liked Alan and Lizzie as characters. Alan's highway code joke was good, and the prompt payment one was even better. But I'm afraid I found too much of it didn't tickle me, although it was a entertaining enough read. It also relies, for a prolonged period, on humour about something the audience won't see, which, to me, doesn't appeal.
Starship Impossible: YES - Funny throughout and very well written. Maybe one or two too many characters. Enjoyed Captain Quitter's motives, especially. Have to be honest and say I thought this was terrific.
The Crew: NO - Thought this read like 'The Office' in space. The interview format was different from other entries, so it made me want to continue reading. Thought the ending was weak though.
The Princess of Darkness: MAYBE - Clever teamwork by the vampire and werewolf. This had clever twists throughout in fact. And the plot moved at a good pace. Only reason for a 'maybe' is the humour being unavoidably cheesy in places because of it being a comedy fairytale.
The Time Travels of Dr Choo: NO - Didn't really have a clue what Dr Choo was going on about, to be honest! I got lost in those chunky paragraphs.
Them and Us: NO - I thought the script improved once the meeting started, but there were too many characters and an ending that felt like ideas had ran out. Some funny lines, and I love the premise of a MOD comedy, but this one didn't quite do it for me.
Time Travel Tours: MAYBE - Hugh has some very funny lines. I thought Katerina's sickness was unconvincing and blatantly an easy way for the plot to continue. Liked the original concept though and the episode was structured well.
Where No Man Has Gone Before: MAYBE - The condescension towards Tim produced one or two funny moments, but overall I didn't find anything extraordinary about the script. Have given it a 'maybe' though because there is a scene that echoes one in my script, which brought a smile.