Punk Anarcho
Saturday 1st September 2012 5:29am [Edited]
146 posts
Quote: Aaron @ August 31 2012, 11:47 PM BST
I do not contest your assertion as to the differing styles of production (you will notice I made no comment as to the look of any of the shows mentioned). I do not agree with your assessment of the value of each style, however, and as these are ostensibly comedies I concern myself with their comedy substance.
He's been at Sky for three years.
Balancing all factors, they offer the same depressing mess as almost every other network.
There is certainly one good thing to be said for Sky: by all accounts, they merely commission, then keep their beaks out of the productions. If the BBC et al would do this, we would all be far happier people.
Hi Aaron
I caught Stuart Murphy at Televisual 10 months ago to be more precise. Where he outlined a commitment to comedy and expressed a desire to take on what had traditionally been seen as a BBC main core output.
Sitting on the remote control flicking between In With The Flynns and Trollied it seemed to me he'd done a pretty good job...
Actually writing wise Trollied seemed more like Benidorm but its production values where excellent. It was shot on single camera, the extras were choreographed, they'd employed a DOP who actually new what a back light did. And someone actually understood depth of field even if we didnt get any focus pulls. But hey this felt like someone was at least trying to be creative.
In With The Flynns was flat dull with some bizarre sort of steady cam thing going on which added nothing to the story telling.
For me a comedy show isn't just about the writing it's about a creative team and Trollied at least proved single camera comedy drama can be affordable.
Plus I like the visual scene where one of the checkout girls is out back having a shag and still on her mobile texting. Strangely, Citizen Khan tried a similar texting gag (without the sex) and it didn't work.
Stikes me that the BBC need a big shake up if they are to justify the licence fee?
AP Scene
Quote: Matthew Stott @ September 1 2012, 12:10 AM BST
I'll never understand why this is a problem for some people. Every sitcom you loved growing up had a 'silly audience laughing'. Room for both styles.
I think the problem comes when you sit watching something that clearly isn't funny and a load of nimwits have been dragged in to laugh in the background. It then sounds like canned laughter and you feel patronised.
APS