Kev F
Friday 27th July 2012 10:09am [Edited]
Bristol
689 posts
Scripts ALSO invited for Manchester Sitcom Trials Halloween Special
Isn't it marvellous? You wait 13 years for a Sitcom Trials Halloween Special, and then two come along at once. Yes, hot on the heels of the announcement of the Bristol Sitcom Trials Halloween Special on Friday 19th October, we are pleased to announce the Manchester Sitcom Trials will be performing a Halloween Special the following night, Saturday October 20th, as part of the Manchester Comedy Festival. And we are looking for scripts.
Both the Bristol and the Manchester shows will be selecting their scripts to perform from the same online entries, so you only have to enter once to have double the chance of seeing your sitcom performed live on stage. The Bristol team will be choosing two scripts to be part of their show, and the Manchester team are choosing three, the remainder of the show being prepared by the performers themselves.
Since this is a Halloween show, we're specifically looking for the spooky, the supernatural and the macabre. You can re-write an existing sitcom, tailored to the Halloween theme; or you can come up with something new.
Scripts should be NO MORE THAN 15 pages long, with a solid and exciting CLIFFHANGER around the 8-10 page mark.
If you want to enter a script, simply upload your scripts to the SitsVac files. First read The Brief below for guidelines.
If you have any questions about The Sitcom Trials you can ask at
The Sits Vac Forum
The British Comedy Guide Forum
or Facebook
Scripts should be written to be performed with NO PROPS, SETS or COSTUMES - we're going minimalist on this occasion, since the last show nearly killed us. Ideally, we'd like ONE CONTINUOUS PIECE OF ACTION, with no scene changes, and with no more than SIX CHARACTERS. One day we won't need to say this, but please please please write some strong female characters.
The deadline is: Friday 21st August. There will be a week of voting (usual rules apply: YES=2 / MAYBE=1 / NO=-1), and then the cast will read the top five scripts at a meeting on Sunday 2nd September, and we'll decide which two will make the show. All writers (and performers) are welcome to attend our meetings, particularly if they buy us drinks.
Kev F Sutherland
Executive Producer
Sitcom Trials
(In response to queries on the SitsVac Forum):
On the battle between in-house scripts and online scripts, or between writer-performed material and material read cold, obviously this is always going to give us a clash. Though last week in Manchester the in-house script didn't win, being given the same treatment as all the others (ie they were all script-in-hand and presented radio-style with little rehearsal).
If a sitcom is fully staged and off-book, it has an advantage. The last fully-staged season we did was London in 2009, and you can see from the videos that this raised the quality, though it also levels the playing field. What we then found was writer-performed material often having the edge, that season's overall winner being just such a piece.
Vince's Bristol team are doing a magnificent job of staging the scripts they get and really putting in a lot of rehearsal time. This forthcoming Halloween show will be the first time they've pitted online submissions against their own in-house material, so it will be interesting to see how that fares.
The last show you were referring to in the earlier post was London's Eurovision Sitcom Contest where a writer-performed sitcom which had had a lot of rehearsal time won over online submissions that had only been rehearsed that day. All I can say is that is always likely to happen.
What I'd also like to remind everyone is that, unlike a sitcom competition run like a tournament with a prize (eg our spin-off competitor The Sitcom Mission), The Sitcom Trials is a format that enables sitcoms to be tried out on stage and to find out if they're funny and they work. The voting is simply a mechanism that enables the audience to stay involved in the show and to give it all a structure. They see the ending of the sitcom that wins, so that they're "never more than 10 minutes away from something you might prefer" and we "don't waste your time with anything you don't like."
In short, it's not the winning that counts, it's the taking part.
Kev F
Exec Producer
The Sitcom Trials