Blatantly a work in progress. I've been asked to put together some material for a mockumentary about a spoof folk band. There doesn't seem to be much in the way of solid characterisation yet but their thing is they are three simple folk from the west country singing about their village and local stories, not realising that they are funny.
Here's what I've got so far. Any feedback gratefully received.
Title screen: "Folk On - A Folkumentary"
Photo of band performing on stage.
V/O:Little known folk band 'Folk On' fell under the media spotlight earlier this year when London Mayor Boris Johnson named them as a possible starring act for the 2012 Olympic Games opening ceremony.
Photo of band with Boris.
V/O:But who are they? Formed in 1997, the three members of 'Folk On' became friends at the school cheese knurdling society and discovered that they had a shared love of traditional west country music and folk tales.
Cut to band sitting being interviewed (Interviewer not seen on screen).
INTERVIEWERo how did you form the band?
CORNFOOTCAPTION: - Donald Cornfoot) We actually formed the band in alphabetical order. I wasn't sure the others would be interested so I joined the band on my own at first.
INTERVIEWER:Wasn't it a problem being a three piece band on your own?
CORNFOOT:It was a nightmare. It was when I was explaining the difficulties to Edmund that he admitted he'd always wanted to be in a folk band.
SIDEBOTTAMCAPTION: - Edmund Sidebottam) We got together for a jam session and it was a lot better but something still wasn't quite right.
CORNFOOT:Being a three piece band was still too much work for two people. That's when Derek suggested that he could join the band.
SIDEBOTTAM:In retrospect, it was an obvious solution.
CORNFOOT:I don't know why we didn't think of it before.
TINKELEBERRYCAPTION: - Derek Tinkleberry) When I got together with the other two, the whole three piece band thing just sort of clicked.
V/O:Folk On's first gig was at the Little Dribblepatch Whitsun Fayre and Cheese Knurdling Expo.
Photo of one band member holding a cheese knurdling trophy proudly.
V/Oadly no footage of this gig exists but a small piece of audio tape has been found in a fan's collection.
Photo of mocked-up flyer for the Fayre in question.
GRAMS: Low quality recording of the band shouting words and hitting things out of time and out of tune with each other. It sounds terrible.
Cut to footage of the band pointing at a cow in a field.
V/O:Having formed the band and starting to get paid gigs, the next step was to learn how to play some instruments and write some songs.
Cut back to band being interviewed.
TINKLEBERRY:We wanted to concentrate on local songs and tunes. Things to keep the old traditions alive. We even looked at ancient instruments from the area.
CORNFOOT:I remember that Edmund had his heart set on reviving the Somerset Pig-Hunting Harp.
SIDEBOTTAM:Very much so. It's a sort of cross between a hurdy-gurdy, a stomp-box and an Alpenhorn. After about six months of trying to find somewhere to buy one and someone to teach me how to play it, I finally came to the realisation that I had just imagined it.
TINKLEBERRY:Even so, we still write the score for the Somerset Pig-Hunting Harp in all our songs. Perhaps that will become one of the old traditions in the future. These things all have to start somewhere.
INTERVIEWER:Where do your songs come from?
CORNFOOTome of them are our interpretations of local folk tales.
SIDEBOTTAMome we write ourselves to document life in Little Dribblepatch and the surrounding area.
CORNFOOT:And some are ancient folk songs handed down in a local dialect called Snuggen which we've reworked in English for more modern instruments.
TINKLEBERRY: Those last one are particularly difficult as there are only three people left who speak the Snuggen dialect and two of those are dead.
CORNFOOT:And the other one doesn't speak any English so we can only really learn the songs from him by a mixture of charades and guesswork.
SIDEBOTTAM:Unfortunately he's also 106 years old, a dribbling idiot and deaf as a post but he's the only source of these old songs and it would be a shame to let them die out.
INTERVIEWERome people have suggested that these aren't actually old folk songs but the incoherent ramblings of a mad man.
The band all look as if this hadn't occurred to them before.
CORNFOOToes that make them any less valid than any other folk songs? They're still an important part of local life.
...to be continued when I think of some more ideas or get a chance to chat to the guys in the band about any ideas they have!