British Comedy Guide

Critique wanted please...

Hi guys. I have written a first/pilot episode for a comedic series about working in a fast food restaurant, inspired by my own experiences in that field.

I will post the first two scenes here but am naturally happy to post more if anyone would like to see them!

I'm going for a comedically dramatic, quirky yet edgy style! look forward to any comment you have!

P.S The screenplay is properly formatted, I just can't copy and paste it fully formatted. Also I'm writing from Northern Ireland, hence the slang/local references.

FADE IN.

SCENE 1. INT. MCDINGLES RESTAURANT-CREW ROOM. DAY

SEVEN YOUNG PEOPLE ARE SITTING AROND A CHEAP AND COLOURFUL DESK, ABOUT TO START THEIR FIRST DAY OF WORK AT MCDINGLES FAST FOOD RESTAURANT IN BALLYCRAIG, COUNTY DOWN.
THERE ARE FIVE GUYS AND TWO GIRLS. EACH OF THEM HAS AN A4 FOLDER IN FRONT OF THEM WITH 'WELCOME TO MCDINGLES' WRITTEN ON THE FRONT.

ONE OF THE TEENAGE BOYS, PHIL, AN INTELLECTUAL LOOKING, GEEKY SORT IS FERVENTLY SCOURING THE INFORMATION IN THE FOLDER. THE TWO GIRLS ARE WHISPERING AMONGST THEMSELVES AND THE REST OF THE GUYS ARE LEANING BACK IN THEIR CHAIRS LOOKING BORED.

SUDDENLY THE DOOR SWINGS OPEN AND DANNY RICE, A WELL BUILT AND SERIOUS LOOKING MAN - THE STORE'S SECOND IN COMMAND - MARCHES INTO THE ROOM AND STANDS AT THE HEAD OF THE TABLE. HE STARES DOWN ON THE NEW STARTS WITH DISGUST. HE SPEAKS QUICKLY WITH AN MUMBLING, INTIMIDATING TONE. HE HAS ONE OF THOSE ROUGH NORTHERN IRISH DIALECTS WHERE SOMEONE FROM THE COUNTRY IS PUTTING ON A FAKE INNER CITY BELFAST ACCENT TO ACT HARD.

DANNY RICE
Right. Everyone listen up cause I'm only saying this once

EVERYONE TURNS THEIR HEAD IN VAGUE ACKNOWLEDGEMENT, EXCEPT FOR PHIL WHO SETS DOWN THE FOLDER IMMEDIATELY AND SITS BOLT UPRIGHT IN HIS CHAIR, LISTENING AND WATCHING INTENTLY LIKE A DOG WITH A TREAT DANGLING IN FRONT OF HIM.

DANNY RICE
I'm Danny Rice. Unless you wanna kiss me arse and call me sirthat's what you stick to. Nothing else. I'm the first assistant manager and I mighta taken some of your interviews. Which means yous didn't f**k me off. (Pauses) A lot. Honestly I don't remember any of yous but the important thing here is I can sack you if I want.

THE NEW STARTS ALL HAVE A BRIEFLY CONFUSED LOOK ON THEIR FACE, NOT KNOWING WETHER TO LAUGH OR BE TERRIFIED. ONE OF THE YOUNGER BOYS, MICKY, A TALL GOOD LOOKING TEENAGER, 18 YEARS OLD, PRODUCES A SMILE. DANNY PICKS UP ON THE IT LIKE SOMEBODY JUST FARTED LOUDLY.

DANNY RICE
Here mate, do you usually laugh at your superiors when you start a new job? What do you think this is kid, some kind of f**kin' comedy show? F**kin' Bobby Connelly or somethin'?

MICKY, COMPLETELY TAKEN ABACK, FLIPS HIS SMILE TO A SERIOUS FROWN. THIS SATISFIES DANNY AND HE TURNS AROUND AND REACHES FOR A DVD ON A SHELF BEHIND HIM.
ALL THE NEW STARTS ARE SHOCKED TO SILENCE BY DANNY'S BEHAVIOUR, EXCEPT CIARAN, ANOTHER TEENAGER THE SAME AGE AS MICKY AND PHIL, WHO HAS A MISCHIEVOUS GRIN SPREADING ACROSS HIS FACE.

CIARAN
Here, dontcha mean Billy Connelly...
(Sarcastically)
...Sir?

THE LOOK OF DISGUST GIVEN WHEN MICKY SMILED IS NOTHING COMPARED TO THE LOOK OF UTTER CONTEMPT DANNY THROWS AT CIARAN.

THE LOOK WOULD EQUATE TO A NORMAL PERSON'S REACTION IF CIARAN HAD DROPPED HIS TROUSERS AND USED THE CREW ROOM FLOOR AS A TOLIET.
DANNY GETS RIGHT DOWN TO CIARAN'S LEVEL, POINTING A HUGE, THREATENING FINGER AT HIS NECK AND STARING HIM OUT WITH HIS DARK LITTLE EYES.

DANNY RICE
Look you little stain, I got about two levels right: pissed off and you're f**ked. and you say one more little smart shit thing and you'll get f**ked.

CIARAN GLANCES AROUND HIM, UNSURE HOW TO PROCEED. THEN HE SEES SOMEONE ELSE ABOUT TO COME IN THE ROOM.

CIARAN
(Cheekily)
And one more thing right, see if this is McDingles, does that mean we have to say 'Mc' before everything? Like do I havta call you McBoss?

DANNY REELS BACKWARDS IN ANGER. FOR A MOMENT IT LOOKS AS THOUGH HE IS ABOUT TO LASH OUT AT CIARAN, BUT BEOFRE HE CAN ACT THE DOOR OPENS AND ALAN, A VERY FLAMBOYANT AND CAMP MANAGER, COMES BOUNCING IN CHEERFULLY.

ALAN
Ooh Danny how are we getting in with the new recruits?

TURNS TO THE NEW STARTS

ALAN
Hi everyone! My name is Alan. I hope Danny here is being nice to you all!

ALAN SETS HIS ARM TENTATIVELY ON DANNY'S SHOULDER, MAKING HIM LUNGE BACKWARDS LIKE HE'S JUST BEEN SPRAYED IN THE EYES WITH BEAR MACE. CIARAN IS QUICK TO TAKE ADVANTAGE OF THE AWKWARD SITUATION.

CIARAN
(In a very flamboyant tone)
Yes Alan, Danny here was just telling us all about how fun it is to work at McDingles, especially because of the tight uniforms the guys get to wear!

ALAN
(Sarcastically)
That sounds like him all right!

DANNY CAN HARDLY CONTAIN HIMSELF, BUT UNABLE TO ACT OUT AGGRESSIVELY WITH ANOTHER MANAGER PRESENT HE INSTEAD ANGRILY SHOVES THE DVD INTO THE PLAYER BELOW THE TV.

DANNY RICE
Just f**king watch this f**k sake.

DANNY STOMPS OUT OF THE ROOM LIKE A HUFFING CHILD

ALAN
Sorry guys! He's a bit of a douche bag, but you'll get used to it! This place isn't really as soul destroying as everyone says!

THE NEW STARTS SHARE A LOOK OF CONCERNED CONFUSION AS THE 'INTRODUCTION TO THE WORLD OF MCDINGLES' DVD STARTS PLAYING IN FRONT OF THEM. THE MUSIC FROM THE DVD SOUND BRIDGES INTO THE OPENING CREDITS.

CUT TO:

OPENING CREDITS

FADE IN.

SCENE 2. MCDINGLES RESTAURANT-KITCHEN. DAY.

THE SEVEN NEWBIES WALK INTO THE BACK OF THE KITCHEN AREA IN THE RESTAURANT, LEAD BY ALAN WHO IS GESTICULATING WILDLY, INTRODUCING THEM TO THE STORE BY POINTING OUT VARIOUS THINGS IN THE KITCHEN.
THERE ARE EMPLOYEES MULLING AROUND ALL OVER THE PLACE. A FEW ARE WORKING AVIDLY BUT THE MAJORITY ARE FUNCTIONING WITH THE WORK ETHIC OF A SPANIARD DURING CIESTA.
PHIL IS LISTENING INTENTLY WHILE THE REST SEEM UNINTERESTED.

ALAN
And this is where you clock in...

ALAN POINTS TO A MACHINE ON THE WALL

ALAN
And this is the sink...

POINTS TO A SINK. PHIL NODS UNDERSTANDINGLY, AS IF THE LARGE BASIN FILLED WITH WATER AND DIRTY EQUIPMENT COULD JUST OF EASILY HAVE BEEN A FRIDGE.

ALAN
And this is where the drive through orders come through. We call it window one because it's the first window that people come to. It used to be called window two though.

MICKY
Why's that?

ALAN THROWS HIS HANDS UP IN THE AIR MELODRAMATICALLY

ALAN
I don't know! I'm only a manager silly!
(Pause)
And this pretty young lady taking the orders is Aimee. Say hey to the new starts Aimee!

AIMEE, BUSY TAKING AN ORDER, TURNS AWAY FROM THE WINDOW TO GIVE A HALF-HEARTED WAVE. MICKY CATCHES HER EYE AND SHE SMILES. HE SMILES BACK THEN LOOKS AWAY, EMBARRASSED.
ALAN BOUNDS ONWARDS WITH THE TOUR, POINTING OUT THE GRILLSIDE AREA WITH GREAT ENTHUSIASM

ALAN
And this is where we make the burgers! But don't worry you'll get loads of time to explore all the different parts of the store! Ooh ooh this is where we make the chicken burgers. They make the fish burgers and apple pies here too, but you you don't need to learn anything advanced yet.

A TALL, PALE AND CREEPY LOOKING YOUNG MAN LOOKS UP FROM THE WORK BENCH ON THE CHICKEN SIDE. HIS NAME IS SPUD. HE MAKES A HUGE GAPING GRIN, PUTS OUT HIS HAND OUT IN A CLAWING GESTURE AND MAKES A GROWLING NOISE TOWARDS THE GROUP. THE GIRLS KEEP THEIR DISTANCE, SHOCKED. ALAN TAKES NO NOTCIE, AS IF THIS WERE AS NORMAL AS EXHALING.

ALAN LEADS THEM UP TO THE FRONT OF THE STORE WHERE THE CUSTOMERS ARE BEING SERVED AT THE TILLS. THE LARGE GROUP OF SEVEN PEOPLE IN A SMALL SPACE IS GETTING IN THE WAY OF THE SERVERS. ONE DARK HAIRED WOMAN, JOBSKA, BARGES BETWEEN CIARAN AND MICKY TO GRAB A 'BIG YUMMY' BURGER FROM THE TRANSFER BIN WHERE THE FOOD IS KEPT WARM. SHE MUTTERS SOMETHING ANGRILY IN POLISH WHILE DOING SO.

ALAN
Ok folks, you've got to see the behind the scenes action, now this is where we get down to business: front counter. Which I always think is such a funny name because we don't have a rear counter... but I suppose we can't always do things in the rear!

PHIL SMILES UNCOMFORTABLY, UNFORTUNATELY PICKING UP ON THE INTENTIONAL INNUENDO.
A SHORT ALMOST SPHERICAL MAN WALKS UP TO THE GROUP. HIS NAME IS WAYNE AND HE IS THE BUSINESS MANAGER OF THE RESTAURANT - THE BIG BOSS.

HE LOOKS LIKE A WORKING CLASS SANTA CLAUS WITH MALE PATTERN BALDNESS. HE SPEAKS WITH A GENUINE INNER CITY BELFAST ACCENT AND TENDS TO BOB HIS HEAD WHEN HE TALKS. LIKE ONE OF THOSE DOGS YOU SET ON A DASHBOARD.

WAYNE
Well guys, welcome aboard. Hope Sam here's shown you a bit, but now we got to sort out where you're gonna be working in the store. Please step into my office.

HE MOTIONS TO A SMALL DOOR AT THE END OF THE COUNTER WITH 'BUSINESS MANAGER'S OFFICE' PRINTED ON IT.
HE THEN STARTS TO WADDLE TOWARDS THE DOOR, JUST LIKE A PENGUIN. THE OTHERS FOLLOW, EXCEPT ALAN WHO BOUNDS OFF BACK TO WORK.

CUT TO

Can't think of any other sitcom based in a fast food restaurant, and I really like the idea of it as theres loads of scope within that environment. You say you're going for comedically dramatic, edgy, quirky...not seeing those particular traits just yet, though there is plenty of comedy potential in the characters... I really like the way you've set up and introduced them, which is vital to get that right, I think you did get that going quite well, it held my attention and made me want to see more.

The idea is new and probably does has potentential but I'm not sure from what's been offered it's been successfully delivered...

The action lines are far too descriptive, keep them concise...

The manager didn't really come across as very camp...

Why is Danny so angry...?

In the first episode you need to tell the audience as much as you can about the characters...

I love Irish comedy because the actors can play up to the 'sterotypical' image a lot of people have of them but these didn't seem to show that somehow...

Quote: RedZed333 @ July 20 2011, 9:48 PM BST

I love Irish comedy because the actors can play up to the 'sterotypical' image a lot of people have of them but these didn't seem to show that somehow...

Ah, but he's doing a sitcom about new recruits in a fast food joint, that happens to be set in Ireland, not playing up their Irishness ...I'd imagine the Irish setting is important to it's overall feel but not a prop to make it work.

Quote: Shandonbelle @ July 20 2011, 10:03 PM BST

Ah, but he's doing a sitcom about new recruits in a fast food joint, that happens to be set in Ireland, not playing up their Irishness to make it work...I'd imagine the Irish setting is important to it's overall feel but not a prop to make it work.

Of course, you are totally right, I didn't word that too good...

I found this interesting enough to want to read more. I'm a sucker for anything Irish - we don't get enough - very under-represented. What you've posted is probably not a lot timewise, so still plenty of time in Ep 1 for a bit more character development. Give us more!

hey there, thanks for the replies guys. being typically Northern Irish I do have to point out the difference in stereotypes between the two countries though! but yes the Irish element is definitely an undertone, but in fact many of the characters are not from N.Ireland at all!

but the comments on action lines are very useful. do u feel I should be more focused on simply stating the action rather than dressing it up with other descriptions?

also it's never really explained why Danny Rice is so angry, the character is based on a really psychotic manager with a foul mouth and bad temper.

shandonbelle, would you like to see more?

ok guys, thanks for the positive messages, heres two more scenes

SCENE 3. INT. WAYNE'S OFFICE. DAY.

THE SEVEN NEWSTARTS ARE CRUSHED INTO WAYNE'S DARK, DINGY AND TINY OFFICE. WAYNE SITS ON AN OVERSIZED OFFICE CHAIR LIKE A KING ON HIS THRONE. HIS WIDE FRAME IS SPLAYED OVER THE CHAIR GROTESQUELY, LEGS OPEN AND BELLY POINTING NORTHWARDS.

HE FIDGETS WITH A COLOURFUL BALL OF STRING LYING ON THE DESK, PUSHING AND PULLING IT BACK AND FORWARD DISTRACTINGLY WHILE TALKING TO THE NEWSTARTS.
THE NEWSTARTS LOOK DOWN AT HIM WITH A LOOK OF UNEASY CONFUSION.

WAYNE
Well folks, this is the main office. Yous play your chips right and you might just be lucky enough to land yourself a money spot like this someday.

WAYNE SOUNDS SHOCKINGLY SINCERE ABOUT HIS MISCONCEPTIONS OF SUCCESS. CIARAN AND MICKY ARE LOOKING AROUND THE GRIM OFFICE WITH DOUBT ON THEIR FACES. PHIL IS BEAMING ENTHUSIASTICALLY AT THE PROSPECT.

IT IS OBVIOUS THAT WAYNE IS SWEATING A LOT. HE LAYS HIS FREE HAND ON HIS STUBBLE COVERED HEAD. THE CHUBBY APPENDAGE COLLECTS AS MUCH SWEAT AS POSSIBLE AND DEPOSITS THE FLUID DOWN THE SIDE OF HIS WHITE SHIRT IN A CASUAL WIPING MOTION. THE GIRLS LOOK AWAY IN DISGUST.

WAYNE
Well normally I'd just send you all out to get started, but today I've done and prepared a wee peep talk to get yous settled in. You see we've got a nation long quality check going on in the moment, and if we all play our chips right during the next breakbuster time and do a good service for the next secret shopper we'll all get a chance to meet Pringle McDingle himself!

WANYNE PAUSES FOR DRAMATIC EFFECT. HE IS MET WITH BLANK STARES FROM THE NEWSTARTS.

WAYNE
I said we'll all get a chance to meet Pringle McDingle. Himself...in person.

STILL NOTHING FROM THE ONLOOKERS. PHIL TRIES TO SMILE ENTHUSIASTICALLY

WAYNE
The clown! The McDingles international and worldwide mascot! The famous clown!

IT IS OBVIOUS BOTH CIARAN AND MICKY ARE STIFLING LAUGHTER

WAYNE
Come on mates! I hired yous and you've never even heard of the figurehead of burger making!

WAYNE'S FRUSTRATION IS EXACERBATED BY THE UNENTHUSIASTIC NEWSTARTS. CIARAN CAN'T TAKE ANYMORE, AND LEANS OVER AND WHISPERS TO MICKY

CIARAN
(Laughing)
Yeah, and I'm known as the figurehead of excessive masturbating, but no bragging like.

MICKY BURSTS OUT LAUGHING TOO. WAYNE HAS HAD ENOUGH

WAYNE
Look, yous'll be well excited when it happens trust me. Either ways, we should digrass..
.
WAYNE TAKES OUT A CRUMPLED TRIPLE CHEESEBURGER WRAPPER FROM HIS CHEST POCKET. SCROLLED ON THE BACK OF IT ARE SOME MESSY LOOKING BULLET POINTS. HE UN-CRINKLES IT AND LEANS BACK TO DELIVER HIS 'PEEP' TALK. WAYNE READS STRAIGHT FROM THE WRAPPER WITHOUT STOPPING. HIS SPEECH IS UNCLEAR AND RUSHED.

WAYNE
Ahem...welcome to McDingles folks. Here at McDingles we offer you what it takes you to be your own boss under the watchful eye of our manager team. With us you will learn initiative and creativity while
(pauses for breath)
closely following the strict catering procedures of the McDingles corporation. For more information check out www.mcdinglesinc.co.uk. If you are interested in working for Mcdingles...
(pauses)
Wait that's irrelevant...oh yes - hopefully you all have a great first day with us and I have no doubt you'll all be churning out Dingle burgers in no time. Remember you can't make a burger without breaking a few eggs. Pick up milk. No wait...

WAYNE REALISES THE SPEECH HAS TURNED INTO HIS SHOPPING LIST. HE SCANS THE WRAPPER FOR MORE USEFUL POINTERS AND FINDS NOTHING. SATISFIED THAT HIS NEW STAFF ARE WELL AND TRULY INDOCTRINATED HE LEANS OVER TOWARDS THE DOOR AND SHOUTS OUT TO KATE ON FRONT COUNTER.

WAYNE
Oi Kate! Come and show theseuns where they're working!

WAYNE CLOSES THE DOOR, TURNS BACK TO THE NEW STARTS AND STARES AT THEM WITH A DOPEY SMILE. HIS WORK HERE IS DONE.
THE DOOR OPENS AGAIN AND IN WALKS KATE, A BEAUTIFUL BLONDE MANAGER IN HER EARLY TWENTIES. HER VOICE IS SOFT AND FRIENDLY.

KATE
Hi there guys, do you want to follow me? Let's get you to work!

SHE USHERS THEM SLOWLY OUT OF THE TINY OFFICE. CIARAN TURNS AND WHISPERS TO MICKY.

CIARAN
i wouldn't mind a piece of that McAss!

THEY BOTH GIGGLE QUIETLY.

CUT TO

SCENE 4. INT. FRONT COUNTER. DAY

KATE AND THE NEWSTARTS ARE STANDING ON FRONT COUNTER. THINGS HAVE SLOWED DOWN AND MOST OF THE STAFF ARE STANDING AROUND LAZILY, CHATTING. KATE POINTS TO MICKY AND THE TWO FEMALE NEWSTARTS.

KATE
Ok, Micky, Anna, Caitlin, you're gonna be on front counter today, so spread yourself out among the tills and a crew trainer will show you what to do

THEY NOD COMPLIANTLY.

MICKY
Wait, how come you know our names already?

KATE POINTS TO HIS CHEST.

KATE
Hmm I dunno Mick, maybe its the colourful plastic name badge on your chest. Maybe if you spent less time staring at my name badge you mighta noticed...
\
SHE MOTIONS DOWN TOWARDS HER OWN CHEST. HER COLOURFUL PLASTIC NAME BADGE IS PERCHED ON TOP OF A FANTASTICALLY LARGE PAIR OF BREASTS THAT NO MAN COULD IGNORE.

MICKY
Oh...em. Yeah.

MICKY SCURRIES OFF TO FIND A TILL, EMBARRASSED. KATE WALKS OFF WITH THE OTHERS.
CUT TO

When it comes to action lines you are simply setting the scene for the director to make, comments like 'DANNY PICKS UP ON THE IT LIKE SOMEBODY JUST FARTED LOUDLY' would be very difficult to portray...

A simple 'DANNY WINCES' would do much better and is easier and faster to read...

It's also a good idea to try and set the action line before the dialogue...

ALAN POINTS TO A SINK FULL OF DISHES.

ALAN
And this is the sink...

PHIL
(Under his breath)
No shit.

This way the audience gets the message visually/audibily rather than you explaining as the writer...

Ok...I'm still liking it and interested to see how the first epsode unfolds. I'm wondering about what audience you're appealing to? The humour so far seems to be centering around the two lads being a bit cheeky type thing, and is pretty basic at the moment. I like the description of Wayne, and can imagine him sitting there sweating. I'm no expert so only going on what appeals to me, it's got something, but will need a bit more depth to it I'd say to really make it take shape.

Quote: paddyb @ July 20 2011, 10:30 PM BST

hey there, thanks for the replies guys. being typically Northern Irish I do have to point out the difference in stereotypes between the two countries though! but yes the Irish element is definitely an undertone, but in fact many of the characters are not from N.Ireland at all!

but the comments on action lines are very useful. do u feel I should be more focused on simply stating the action rather than dressing it up with other descriptions?

also it's never really explained why Danny Rice is so angry, the character is based on a really psychotic manager with a foul mouth and bad temper.

They do say 'show, don't tell' so maybe a comprehensive character description at the start would be better than describing how they're reacting (e.g. Sweating) but I don't know - not well up on T. V. scriptwriting - maybe somebody else here can advise. Re Danny Rice - might other episodes hint why he's so bitter? This may depend on whether you're solely going for humour or not.

Quote: RedZed333 @ July 20 2011, 10:41 PM BST

It's also a good idea to try and set the action line before the dialogue...

ALAN POINTS TO A SINK FULL OF DISHES.

ALAN
And this is the sink...

PHIL
(Under his breath)
No shit.

This way the audience gets the message visually/audibily rather than you explaining as the writer...

Good advice.

I agree with keewik, you might want to concentrate on character development a little more at the start, at the moment you seem too keen on showing us everything you've got...

Enjoyable enough, but the dialogue needs more flow, its more written than spoken if you know what I mean?
Don't get me wrong I'm not suggesting you change the plot or the characters they're fine and its funny, but the speech lay out is letting it down in my opinion.
Write like you talk and the difference will be the realism that makes good comedy not that Am Dram BBC speak!

Show where your from more, use dialect or whatever you have too.
But give the dialogue more life and the thing will be the better for it.

all good points, thanks. I am actually glad about the characterisation comments. there's a lot of characters in the story and how they interact with each other will change and build throughout the story, i.e I don't want them to be stereotyped early on in the game, although I do realise this makes them more accessible to the audience.

As for a possible audience? I am not sure. I want to mix in some elements of subtle, layered humour with obvious gags. I am influenced by almost all areas of comedy and try and bring ideas from many different places to my writing.
the main idea though is to build a story and plot line around the characters throughout the script. these plot lines will become clearer as the story goes on. in the first half of the script (its 14 scenes all averaging around 3 pages) most of the action is set around introducing the characters though.

So are you looking to introduce the characters and then make each one central to each episode, a bit like 'Boys From The Black Stuff' for instance..?

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