Rico El Vista
Thursday 17th February 2011 7:01pm [Edited]
139 posts
The Goodies were very diverse in their subject-matter; sure, they often relied on Looney Animals and taking the mick out of John Peel and Nicholas Parsons a bit too much, but the sheer range of the subject-matter, and its go-anywhere premise marked it out as more ambitious and exuberant than literally any other comedy show of it's time.
A lot of comedies simply re-used the same sets, but The Goodies visited Ancient Rome, for example, or 25 years into the future, danced on the Moon, and the very last BBC show was set during WW2: so much for it all being 'samey'. Their extended visual gag sequence at the end of Movies rivals any other surreal comedy ever produced by anyone, period. Visually, this show was years ahead of what anyone else was doing, keeping the BBC visual effects dept just as busy as they were on Doctor Who.
Even when the budget ran out, and they were forced to put out a handful of episodes without speeded-up film, they produced decent work; one of the best ever episodes sees their office encased in concrete, and the episode showed what happened to them stuck in the same building for 70 years: even this limited premise struck a rich seam of comedy gold, more than many other comedies that were actually built around a claustrophobic premise with limited sets.
I accept it's not everyone's cup of tea, but for zany, imaginitive comedy - with adult references subversively slipped in only really noticable over repeated viewings - this show was definitely not a souped-up Banana Splits.
Oddie and Michael Gibbs also contributed original backing tunes to the chase sequences. Many casual onlookers only see the cartoon-like elements of the show, but they also produced biting satire (compared to most other comedies of the time) and a good example is the apartheid piss-take, South Africa.
Subjects like censorship were also covered in Gender Education or sexism in Women's Liberation. Yes these examples were framed within a slapstick format, but there was valid social criticism behind these episodes.