Mickeza
Saturday 3rd April 2010 9:02pm [Edited]
Neath/Cardiff
245 posts
Quote: Matthew Stott @ April 3 2010, 9:31 PM BST
It's funny though, because many, many of the episodes that didn't have his name on, he actually ended up writing huge chunks of. Like The Impossible Planet, Human Nature and Dalek. There are only a few writers, such as Moffatt, that RTD didn't rewrite and have a large affect on their episodes.
I think that fits in with the common image of RTD, that he is a great dialogue writer but perhaps not a great writer of sci-fi and the plotting it entails. With re-writes, the idea is already there and he's tweaking it. In my opinion, his best episode was Midnight which was dialogue intensive, and played to his strengths, namely building tension. He is very good at building up to a climax, the first part of the finale in series 4 for instance, and Turn Left are both great examples of this, but more often than not the reward failed to match the build up. I still think he was a great show-runner, but the potential of this series is much greater than if he had stayed.