Kev F
Friday 4th December 2009 4:31pm [Edited]
Bristol
689 posts
Quote: bushbaby @ December 4 2009, 10:55 AM GMT
Do you think that, that is because the sitcoms are written for stage and as in many cases, a theatre production doesn't necessarily fare well on screen?
We could be getting into a long discussion here! Stage to screen, both with comedy and other work, is a fascinating transition that we've all seen done well and done badly. Recently Sky Arts did a series of live transmissions of plays from the West End and they came across well, but you had to make an allowance for their context. It was once the case that sitcoms on TV were performed and shot much as stage plays, with the audience audible, and that can still work (IT Crowd, Miranda) but sometimes looks creakily old fashioned (Big Top). Whether that's the script, the style of direction, fashion, it's all a complex thing over which we could pore long and hard.
So sitcoms written for the 'stage' can, indeed, clash in style with sitcoms written for a more filmic treatment (The Thick Of It, Gavin & Stacey, Gary Tank Commander, Curb Your Enthusiasm - to name just four sitcoms I watched last night), they are different animals sharing a zoo.
As for whether the Sitcom Trials stage performances would look good filmed, the answer is that if you just point a single DV camera at a performance on a small stage, be it a stand up or fringe theatre (and the Trials are somewhere between the two), then it's usually going to capture little of what the audience experienced. You'll hear a lot of laughter, as a lot of this season's video clips have done, but you may not have gathered what it was that caused that laughter (it was very rarely a comic line, much more often a reaction or a bit of timing from an actor, or something which, in the context of the narrative, suddenly became clear, but in a 30 second snippet wouldn't).
Watch the Sitcom Trials TV series clips (all sitcomtrials.co.uk clips link to the others) and you'll see how we attempted to make the transfer from stage to studio. In some instances it works well, with the four studio cameras capturing what they were meant to. But then the paucity of the backdrop and the suspension of disbelief required to stop you realising you're watching four actors in close proximity to the audience in a very small studio, is hard to surmount.
Like I say, I could go on about this for ages, without necessarily answering the question. I really ought to concentrate on making good new comedy, always learning lessons from the past.
I understand the 15 minute format is one used in previous incarnations of the Sitocm Trials. And I wonder what the actors and directors thought about having to rehearse a cliffhanger finale when on the night 4 out of 5 didn't get the chance to perform it?