SlagA
Thursday 6th September 2007 1:34pm [Edited]
Blackwood
5,335 posts
As far as I'm aware, everything you create: characters, specific plots, dialogue is yours. You own the copyright the moment it's committed to media of any sort. Nobody can take a character you've created and write sketches around them without your permission.
But when you sign a deal with a production company, I was told (by a twice BAFTA winner) that a standard clause includes the notion that the company buys the rights to those characters. The company then owns your characters. So permission to use a character is sought from the company you sold the rights to.
Apparently, this is to prevent a situation where you become famous on one channel and then switch to another for more cash. Although it is possible (if the writer is in a more powerful position) to prevent that or to negotiate an amicable move. Normally it's those companies that recieve product royalties, not the writer.
So here I agree with Gervais et al. It is unfair that someone else profits in such a way from your own work, but that's the risk THEY take when they sign you up.
If a character like Swiss Tony is used, the actor can negotiate performance rights. If the agreement between writer and production company has lapsed then I think ownership automatically reverts back to the writer.