Quote: Matthew Stott @ July 31 2009, 2:19 PM BST
As Dolly has pointed out, some of those 'holes' really weren't holes if you actually watched what was going on!
I mean, this one for instance was very clearly dealt with.
Yes, you can assume it was a dummy. Perhaps a training dummy from a hospital, seeing as how he Jolly was a Doctor. That isn't a plot hole!
Did you watch the episode at all?
You can assume it's a dummy. I'll assume it was Glen Miller. See? None of it makes sense.
As for the dwarves - yes I did watch the episode - the point is they were driving in one direction - was she taking him to the hospital or her Grandma's? no matter - the point is they were driving one way purposefully, then 'ran out of petrol' and decided to walk to their destination which was suddenly in the direction they'd just come from. I hate sloppy things like that.
If Nurse Kenchington was alive all along and wanted her locket, why would she assume it was in her own fake grave? She knew someone must have taken it from her so why would it be there? If she did believe it was there (as fake ID on a fake body? Put there by who???), then why didn't she get it earlier? Why wait for David to randomly, conveniently turn up?
Why did Joy, who has fanatically clung to Freddy all these years, desperate to bring him to life, leave him during the transfusion that she believed would 'save' him? Perhaps she'd gone for a poo?
They just needed her out of the room so that she could then re-enter and assume Lomax's new helper was Freddy. All well and good and funny, but at least give her a reason to be out of the room, don't just skip that bit. They either didn't have time to explain, couldn't think of a reason or just didn't think.
Yes there is a danger of over-analysing what is supposed to be fantasy/ficticious/improbable etc, but call me pedantic (or a pain in the arse) but I like plots to unfold and generally make some sort of sense; for there to be some sort of logic. Comedy can be silly and irreverent and utterly illogical for sure and I can easily go along with that, but this series's whole premise was that it would be clever, convoluted and intriguing. A show that's all about mystery and 'whodunnit' needs to make sense.
There was also no real resolution to this at all. As a 'wrap up' for the series it was utterly non-committal because they even gave the characters a few seconds to escape before the explosion so maybe nobody died. Maybe they all did. What is clear is that the driving force behind this episode was to get it all to a point where Series 2 is needed rather than answer questions. The driving force, from my old-fashioned view point, should actually be the telling of a story and entertaining viewers, not backing the BBC into a corner to recommission it: "Let's mention, for the first time, a locket that nobody has spoken about, that nobody has seen and none of the other characters could give a toss about. Great idea. Also leave it open so we can chose who to use in Series 2 - we don't want another Nighty Night situation..."
They have tried to be too clever and forgotten the basics. If they love Hitchcock so much and have studied his style and his methods so closely, it's ironic that they have ended up closer to producing a Stage Fright than a Rear Window.
But, taking the last episode at face value, the dwarves and the locket are to be the centre of the future plotline. Terrific. The dwarf story was the weakest plot and least involving of all of the threads!
Edited by Aaron.