Lee Henman
Thursday 14th May 2009 2:10pm
5,183 posts
Quote: BeefyStu @ May 14 2009, 8:57 AM BST
I am new to comedy writing and have quickly become acquainted with what seems to be an occupational hazard - rejection. Sketches and songs not being used and impersonal emails being received from the BBC.
It is clear from the number of applications to The College of Comedy and Talking and Not Talking that this is a highly competitive industry where only a few people are selected.
I enjoy writing, the challenge of improving my material and take pride in the finished result. I submit material more in hope than expectation. It's a great feeling when an item is used, however at the moment I can't see how to make a living from it.
So what are your ambitions? Can comedy writing ever be more than a hobby? Do people write to entertain or to put bread on the table?
Comedy writing can provide a living, but only for the relatively-few. Most people have a crack at writing comedy, get knocked back a few times, then give up.
I was at a talk the other day and Jeremy Dyson of the League Of Gents said that a large part of the comedy writer's career is rejection. And Phil Mealey said the difference between successful and unsuccessful writers are the ones who just don't give up.
For me, I've been tempted to give up loads of times. There've been moments when I've had yet another rejection and I've just sat there, sad and disilllusioned, thinking "Why am I doing this to myself?" But I've always been pulled back to it because the end prize is so great. Imagine getting paid to make people laugh. Surely that has to be the best job in the world? (Unless there's a position as Kylie Minogue's Official Bottom-Polisher going).
As for my own personal ambition, my target has been to have a succesful sitcom under my belt by the time I'm 40. I'm 38 now...