SlagA
Friday 3rd August 2007 1:57am [Edited]
Blackwood
5,335 posts
I'm going to land firmly in the middle on this one (not like me is it?)
Frankie has some good points. On the plus side of 4Laughs:
The Slaggs owe 4Laughs and all those regulars on that site (4Laughers) a great debt for instilling some belief in ourselves. So thanks to all those of you who know us on 'the other side', we're genuinely indebted to you.
Whereas here we tend to concentrate on scripts, 4Laughs is a great site for networking with people working in the same medium and format as yourself. Yes, for now, I'm ignoring BSGs soon-to-be projects which will be developed further.
4Laughs has driven The Slaggs to write on themes and in formats we'd never really have tried. For example, I loved the 10 second silent competition. I'd never have tried that without 4Laughs and it proves to all the contributors that they can write to somebody else's brief.
The winner selection can be subjective but in some competitions we users could rate submissions and the top 5 were creamed off.
On the neg side:
The forum, although it appears to be part of the 4Laughs package, is actually a sub-forum of the C4 forum. The moderation there is not thought out and has alienated many regulars. That so many 4Laughers are moving towards BSG is testament to Mark and Aaron's attention to detail and (generally ) sensible moderation. I think we've only seen 3 bans on BSG.
The implied concept that C4 bosses would be headhunting new talent has been revealed to be a bit of a fallacy when not even MidgetGems, JunkMales, and Yielding (undisputed masters in their own formats) were singled out. One of the prime reasons the Slaggs came so late to the party as opposed to not at all was the idea that C4 execs would see our work. A few 4Laughers won some big money prizes that they've put into equipment but generally the prizes are now DVDs. But there were no masterclasses, no invites to Horseferry Road, and for us not even a mug.
I'm led to believe that 4Laughs (like BBC's ComedySoup) is a seperate entity to C4. They are a sub-contracted company. The guys and gals there do a great job but their hands are metaphorically tied because they have to abide by the politics of C4, and have to try to negotiate with the forum mods on the more insensitive decisions that have been made. In many ways 4Laughs is trapped in the middle of C4 and the 4Laughers. That they've kept the balance for so long and so well is credit to them.
The least positive point of all is that C4 themselves are the biggest losers in this, because they are ignoring a hotbed of new writers / producers that (in Yielding / Zeal's case) are going to be syphoned off by other companies. Most of the big broadcasters make a fuss about hotbedding new talent and then (conveniently?) overlook the very areas they set aside to develop it.
So in general, 4Laughs is flawed but oddly it isn't totally in the hands of 4Laughs. They can only do what they are allowed to do and they usually work well within the limits imposed. That the ladder system works but that the C4 talent hunting system doesn't is clear in that the acts in the top 5 are destined to be cherrypicked elsewhere if C4 continue to overlook them.