British Comedy Guide

Wildlife sketch 1

On Griff's advice I have split up the 3 sketches I sent in yesterday. This is the first. I'll post the next 2 separately for anyone with the interest/stamina.

EXT. DAY. SOME GENERIC AFRICAN SCRUB WITH A REPORTER/ADVENTURER (IN THE BEAR GRYLLS/STEVE IRWIN MOULD) WHISPERING TO THE CAMERA. DAYTIME. HE HAS A SOUTH AFRICAN ACCENT.

PRESENTER: Now remember, the rhino is one of the most dangerous animals in Africa, and the black variety is renowned for it's short temper. We've finally tracked one down, here in the dense scrub.

CUT TO STOCK SHOT OF RHINO

PRESENTER (CONT): Here, he will be particularly aggressive in defending his home territory. Let's get a bit closer.

CAMERAMAN: (SIMILAR ACCENT, ALSO WHISPERING) Why? I've got a great zoom on this thing. Let's stay here.

PRESENTER: We've discussed this before Karl. In today's environment it's not enough to see the bloody animals. People want to see a bit of danger; you've got to put yourself at risk. If you don't want this job I know Jannie would be happy to do it.

THE PRESENTER TURNS AND STARTS MAKING HIS WAY THROUGH THE SCRUB.

EXT, DAY. AS PREVIOUS, BUT NOW MUCH CLOSER TO THE RHINO

PRESENTER (CONT): We're now only a few feet from the giant beast. It looks very skittish.

CUT TO STOCK SHOT OF RHINO LOOKING AGITATED

PRESENTER (CONT): And there seems to be a young calf with it, which of course, makes this an altogether more dangerous situation. <BEAT> Normally we'd approach downwind to avoid detection, but we've decided to come in upwind as the light is better.

CAMERAMAN: (HISSING AGITATEDLY) Oh F**k! Look, Hansie, we've got the shot, let's get out of here.

PRESENTER: Call this a shot? That pussy Attenborough would get closer than this! We need something more extreme.

PRESENTER (CONT): (PUTS BACK ON HIS PRESENTERS WHISPER) This scrub will make it hard for us to make headway, but will not even slow a charging rhino down.

HE TURNS AND BEGINS TO MOVE SLOWLY THROUGH THE BUSH.

PRESENTER (CONT): Now I just need to creep the last few feet so that I can flick his testicles to test his reaction.

THE CAMERA WOBBLES.

CAMERAMAN: What? Are you mad? You tosser!

PRESENTER: (OVER HIS SHOULDER) Extreme Karl, extreme.
F/X:AN ANGRY BELLOW AND THE SOUND OF SOMETHING HEAVY CRASHING THROUGH THE BUSHES

CUT TO THE PRESENTER SEEN CLIMBING UP A TREE. THE CAMERA SPINS TO SHOW THE SCRUB AS BEFORE AND WOBBLES AS IF THE CAMERAMAN IS RUNNING

CAMERAMAN: Hansie! You f**ker!

THE CAMERA IS DROPPED AND THE SCREEN GOES BLACK

Fabulous pacing and characterisation very clever and it has something to say.

But it feels like it needs some sort of a punch or twist.

Thanks sootyj, for comments on both 1 and 2. This one is almost exactly what I saw on screen with my take on what the cameraman might have been thinking. I really see them as a tryptich so the twist really arrives in the 3rd sketch (I hope).

3 runners of this length is ambitious.

Actually I take back my original comments I see the punchline now, and it's a good one.

I read the second one first (stupid logic -butthat's me)and felt it didn't work.

But now I read all three - I quite like them.

Thanks both for those comments.

BF: Yeah. I meant the second one to kind of raise the ante on the first so I could see why it wouldn't work so well out of sequence.

Sootyj: You may well be right, I tend to overwrite and, I must admit I don't really have a good feel for length in terms of time from the page.

Think it'd be a lot funnier if the Presenter didn't explain to the Cameraman why he wanted to get so close to the rhino. Think we should hear the Cameraman but the Presenter ignores him.

Quote: Yacob Wingnut @ January 9 2009, 10:59 AM GMT

Think it'd be a lot funnier if the Presenter didn't explain to the Cameraman why he wanted to get so close to the rhino. Think we should hear the Cameraman but the Presenter ignores him.

That's an interesting take Yacob. I've had a little play with that and it definitely changes the dynamic. I think personally I prefer the original but I might draft it out without the interaction to see how it looks.

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