Mikey Jackson
Friday 31st October 2008 8:24pm [Edited]
Worthing, West Sussex
2,808 posts
I had a rejection yesterday from writersroom.
That's two now from there.
Okay, my first submission, (a sitcom) when I got it back, I realised it wasn't polished enough and had too much stage direction shit.
...BUT.....
My latest script was very polished. (a drama)
But still never got past the 10 page read. (bloody same reader as last time)
I know they only looked at the first 10 as they're the only pages with fold marks in the left top corner.
I'd studied the "read scripts" section at writersroom, saw how they were written, gave my script a "unique voice" and everything.
Plus it's a corker of a story.
Original.
No one else has done anything like it before.
Deals with a controversial subject with a new angle.
But no.
I'm sure my theory of "writersroom eyes" is correct.
What's writersroom eyes?
Simple! All day, the reader has had to read through loads of badly formatted unpolished scripts with naff storylines, bad punctuation etc, and he or she is totally pissed off.
Near the end of the day, he/she simply skims through the rest, not caring, not concentrating, missing out on potentially great work.
Now, here's the thing that pisses me off the most....
..it's NOT the rejection. It happens. I move on and get over it.
It's the fact that a load crap DOES get produced.
Poor storylines. Plots that send you to sleep. How?
And, why don't they put up scripts from new writers?
Holby n stuff like that are written by teams of established writers.