Godot Taxis
Tuesday 22nd May 2007 7:10am [Edited]
5,742 posts
Quote: Aaron @ May 20, 2007, 7:05 PM
In what respect(s)? Scripts? Production standards (set quality, sound effects, etc.)?
Sorry Aaron, didn't see your question.
Dad's Army has a massive feel-good-factor. I only posted on this thread because I'd just watched the three shows as I said. Only one was good – one where Pike was stuck in some barbed wire on a beach with mines. This had some good lines, a convincing story, and pretty good acting. The other two – whilst immensely enjoyable, suffered from weak plotting, fairly uninspired dialogue and some slips from the actors, which made it harder to maintain the illusion I watching a WWII story rather than a group of under-rehearsed professionals.
I know there are many more of them, and it started earlier, but if one compares DA with a contemporary show like Porridge, the latter does not (arguably, of course) suffer from these problems. Both shows are of course technically nigh-on perfect, but DA suffers from the laws of diminishing returns. There were more than a hundred episodes – is that right? The longer you bat, the lower your batting average becomes.
I'm not knocking Croft & Perry though. I'd watch another three DA at the drop of a hat. They sometimes wrote on autopilot, but they deserve to be highly regarded, along with Lowe and LeMesurier etc..