Rood Eye
Thursday 2nd July 2015 4:02pm [Edited]
4,103 posts
To achieve well-deserved success as comedians, you need three things: the ability to perform (natural talent + training + experience), the will to perform (an absence of laziness, drunkenness, drug addiction and depression) and, of course, good material.
Of the above three qualities, the easiest to get is the good material - because even if you don't create it yourself (eg Bob Hope), it can be bought, borrowed and/or even stolen. The other two qualities are the hard ones because (apart from some training) they cannot be bought. You either have them or you don't.
The only reason I keep adding my two penn'orth to this thread is because Operation Bedlam have so much going for them. They look and sound like a top class comedy act. It's only when you stop and count the funny bits and the unfunny bits that you realise just how many unfunny seconds are included in a show.
The funny stuff isn't necessarily 'jokes' or even 'funny lines'. I noticed some moans and groans and other sounds that were superb.
The unfunny stuff is everything that happens between the funny bits - and there's a lot of it.
If I were them, I'd look at every script and highlight the funny words, phrases and sounds. Then I'd look at the gaps and ask myself why they're there.
Not everyone who listens to your show is in love with you. Not everyone is your mum, your dad, your Aunty Mary or even a friend. Not everyone even likes you. Be very very wary of reviews from people who DO like you (personally).
I've said it before and I'll say it again. Operation Bedlam is a good act in many ways but it could be a great act if the dead wood were cut out of the scripts and replaced with stuff that's as good as the existing good stuff.