sootyj
Monday 2nd September 2013 2:26pm
51,287 posts
Quote: Matthew Stott @ September 2 2013, 3:20 PM BST
They were both about Jewish families, yes, but that isn't a 'thing' producers are actively looking for. What they were about, more importantly, were dysfunctional families.
Not sure I agree, in every product you're looking for a unique selling point.
So Grandmas House and FND both had "north western London Jewish dysfunctional family" as a USP, ala Whesker and other writers.
Where as Bread and Royle Family has "working class, northern, comedy family"
The Inbetweeners and Coming Up, "adolesents at school." of course there's a lot more to it than that. But none of them were just schools or dysfunctional families.