British Comedy Guide
The Lavender Hill Mob. Image shows from L to R: Holland (Alec Guinness), Pendlebury (Stanley Holloway)
The Lavender Hill Mob

The Lavender Hill Mob

  • 1951 film

An Ealing Studios comedy classic, The Lavender Hill Mob stars Alec Guinness & Stanley Holloway attempting to carry out the perfect crime. Also features Sid James, Alfie Bass, Marjorie Fielding, John Gregson, Clive Morton and more.

  • Repeated Friday 13th December at 12:50pm on Film4

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Press clippings

Cinema and 4K Blu-ray releases for Ealing classic comedies

Ealing Studios classics The Lavender Hill Mob and Kind Hearts & Coronets will return to cinemas this year, and come to UHD Blu-ray for the first time as stunning new 4K restorations.

British Comedy Guide, 21st February 2024

Miles Jupp and Justin Edwards to star in stage version of The Lavender Hill Mob

Miles Jupp and Justin Edwards will reunite for a new staging of the classic Ealing Comedy The Lavender Hill Mob, which will embark on a new tour from October.

Alex Wood, What's On Stage, 15th June 2022

Streaming: The Duke and other great heist movies

Roger Michell's delightful art-theft romp starring Jim Broadbent and Helen Mirren joins robbery classics from The Lavender Hill Mob to Rififi and Widows.

Guy Lodge, The Guardian, 16th April 2022

A sublime Ealing comedy, with an Oscar-winning script by T.E.B. Clarke. Alec Guinness is a lowly bank clerk who teams up with hefty Stanley Holloway to pull off an outrageous bullion robbery. Crichton directs with a deft touch and among the usual suspects are henchmen Alfie Bass and Sid James.

Paul Howlett, The Guardian, 11th June 2016

Sid James's 20 best - and weirdest - films

Film noir; gritty drama; 'swinging' song and dance numbers... On the 40th anniversary of his death, here's proof that there was more to Sidney James than just a dirty laugh.

Andy Roberts, The Telegraph, 26th April 2016

The Lavender Hill Mob - review

Alec Guinness is the timid bank clerk in one of the classic Ealing comedies celebrating its 60th birthday with a cinema rerelease.

Peter Bradshaw, The Guardian, 22nd July 2011

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